[anvar]

Handel - Siroe, Re di Persia - Brewer Baroque Chamber Orchestra
Жанр: Classical opera
Страна-производитель диска: Made in USA
Год издания диска: 1991
Издатель (лейбл): Newport Classic
Номер по каталогу: NCD 60125
Дата записи: 1989
Аудиокодек: FLAC
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 55'29 + 52'10 + 53'00
Источник: релизер
сайт-источник/ник/другое: Jose, подарок
Наличие сканов в содержимом раздачи: да

Код:

1-17 (55'29)
1 Act I. Introduciton
2 Fugue
3 Trio
4 Fanfare/Recitative: Figli, Di
5 Aria: Se Il Mio
6 Recitative: E Puoi
7 Aria: D'ogni Amator
8 Recitative: Siroe, Non
9 Aria: Se Il Labbro
10 Recitative: Di Te
11 Aria: O Placido
12 Recitative: Dall'insidie D'emira
13 Aria: La Sorte Mia
14 Recitative: Ola! S'osservi
15 Aria: Vedeste Mai
16 Recitative: Gran Mistero
17 Chi E Piu

Код:

1-18 (52'10)
1 Act Ii. Arioso: Deh Voi
2 Recitative: Ma Qui
3 Aria: Mi Lagnero
4 Recitative: Come Quel
5 Aria: Mi Credi
6 Recitative: Pensoso E
7 Aria: Sgombra
8 Recitative: Signor, Per
9 Recitative: Gran Cose
10 Aria: Fra L'orror
11 Recitative: Qui Da
12 Aria: Tu Di Pieta
13 Recitative: Che Risolvermi
14 Aria: Fra Dubbi
15 Recitative: a Costei
16 Aria: L'aura Non
17 Recitative: Si Diversi
18 Aria: Non Vi Piacque

Код:

1-18 (53'00)
1 Act Iii. Sinfonia
2 Recitative: No, No!
3 Aria: Se Il Caro
4 Recitative: Rendi, O
5 Aria: Gelido
6 Recitative: Che Vuoi
7 Aria: Benche
8 Accompanied Recitative: Son Stanco
9 Aria: Deggio Morire
10 Recitative: Arasse Non
11 Aria: Ch'io Mai
12 Recitative: Siroe, Gia
13 Aria: Torrente
14 Sinfonia
15 Recitative: Vinto Ancor
16 Aria: La Mia
17 Recitative: Ecco, Persia
18 Coro Finale: Dolcissimi

Код:

George Frideric Handel
[i]Siroe, Rè di Persia, HWV 24 [/i]
Opera in Three Acts
Written: by 1728; London, England
Language: Italian
Emira - Julianne Baird (Soprano)
Siroe - D'Anna Fortunato (Mezzo Soprano)
Laodice - Andrea Matthews (Soprano)
Medarse - Steven Rickards (Countertenor)
Arasse - Frederick Urrey (Tenor)
King Cosroe - John Ostendorf (Bass Baritone)
Edward Brewer (Harpsichord)
Loretta O'Sullivan (Cello)
Carla Moore (Violin)
Brewer Baroque Chamber Orchestra
Conductor: Rudolph Palmer
Audio CD (30 Nov. 1993)

Код:

Exact Audio Copy V1.3 from 2. September 2016
EAC extraction logfile from 19. May 2017, 16:26
Rudolph Palmer / Handel - Siroe CD 1
Used drive  : MATSHITADVD-RAM UJ8E1   Adapter: 1  ID: 0
Read mode               : Secure
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Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 6
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Native Win32 interface for Win NT & 2000
Used output format              : User Defined Encoder
Selected bitrate                : 1024 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -6 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "COMMENT=%comment%" -T "BAND=%albuminterpret%" -T "ALBUMARTIST=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" %hascover%--picture="%coverfile%"%hascover% %source% -o %dest%
TOC of the extracted CD
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     Test CRC 3E20D079
     Copy CRC 3E20D079
     Copy OK
No errors occurred
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==== Log checksum 7F8F3748A58A740E12992862251A7C34CF779D514155D0BD6F4759870138B663 ====

Код:

Exact Audio Copy V1.3 from 2. September 2016
EAC extraction logfile from 19. May 2017, 16:54
Rudolph Palmer / Handel - Siroe CD 2
Used drive  : MATSHITADVD-RAM UJ8E1   Adapter: 1  ID: 0
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 6
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Native Win32 interface for Win NT & 2000
Used output format              : User Defined Encoder
Selected bitrate                : 1024 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -6 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "COMMENT=%comment%" -T "BAND=%albuminterpret%" -T "ALBUMARTIST=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" %hascover%--picture="%coverfile%"%hascover% %source% -o %dest%
TOC of the extracted CD
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Range status and errors
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     Filename C:\Users\Usuario\Desktop\Rudolph Palmer - Handel - Siroe CD 2.wav
     Peak level 99.9 %
     Extraction speed 4.3 X
     Range quality 100.0 %
     Test CRC 8CF1E573
     Copy CRC 8CF1E573
     Copy OK
No errors occurred
AccurateRip summary
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==== Log checksum 44B02AB3090268D7E2753D497807A779FB3EE3E7D940812125BC410A2B8BD46D ====

Код:

Exact Audio Copy V1.3 from 2. September 2016
EAC extraction logfile from 19. May 2017, 17:27
Rudolph Palmer / Handel - Siroe CD 3
Used drive  : MATSHITADVD-RAM UJ8E1   Adapter: 1  ID: 0
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 6
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Native Win32 interface for Win NT & 2000
Used output format              : User Defined Encoder
Selected bitrate                : 1024 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -6 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "COMMENT=%comment%" -T "BAND=%albuminterpret%" -T "ALBUMARTIST=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" %hascover%--picture="%coverfile%"%hascover% %source% -o %dest%
TOC of the extracted CD
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     Test CRC 3A60492A
     Copy CRC 3A60492A
     Copy OK
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==== Log checksum A63EB7BBB72D6BB06EA3E162FF6729D557044B2BA5C841B65B471A1333F88808 ====

Код:

REM GENRE Classical
REM DATE 1991
REM DISCID C20D0011
REM COMMENT "ExactAudioCopy v1.3"
PERFORMER "Rudolph Palmer"
TITLE "Handel - Siroe CD 1"
REM COMPOSER "George Frederick Handel"
FILE "Rudolph Palmer - Handel - Siroe CD 1.flac" WAVE
  TRACK 01 AUDIO
    TITLE "Siroe: Act I. Introduction"
    PERFORMER "Brewer Baroque Chamber Orchestra, Rudolph Palmer"
    REM COMPOSER "George Frideric Handel"
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "Siroe: Act I. Fugue"
    PERFORMER "Brewer Baroque Chamber Orchestra, Rudolph Palmer"
    REM COMPOSER "George Frideric Handel"
    INDEX 01 01:38:32
  TRACK 03 AUDIO
    TITLE "Siroe: Act I. Trio"
    PERFORMER "Brewer Baroque Chamber Orchestra, Rudolph Palmer"
    REM COMPOSER "George Frideric Handel"
    INDEX 01 03:15:42
  TRACK 04 AUDIO
    TITLE "Siroe: Act I. Fanfare/Recitative: Figli, Di"
    PERFORMER "Brewer Baroque Chamber Orchestra, Rudolph Palmer"
    REM COMPOSER "George Frideric Handel"
    INDEX 01 05:09:02
  TRACK 05 AUDIO
    TITLE "Siroe: Act I. Aria: Se il Mio"
    PERFORMER "Brewer Baroque Chamber Orchestra, Rudolph Palmer"
    REM COMPOSER "George Frideric Handel"
    INDEX 01 08:55:15
  TRACK 06 AUDIO
    TITLE "Siroe: Act I. Recitative: E puoi"
    PERFORMER "Brewer Baroque Chamber Orchestra, Rudolph Palmer"
    REM COMPOSER "George Frideric Handel"
    INDEX 01 14:01:07
  TRACK 07 AUDIO
    TITLE "Siroe: Act I. Aria: D'ogni amator"
    PERFORMER "Brewer Baroque Chamber Orchestra, Rudolph Palmer"
    REM COMPOSER "George Frideric Handel"
    INDEX 01 16:47:22
  TRACK 08 AUDIO
    TITLE "Siroe: Act I. Recitative: Siroe, non"
    PERFORMER "Brewer Baroque Chamber Orchestra, Rudolph Palmer"
    REM COMPOSER "George Frideric Handel"
    INDEX 01 22:39:02
  TRACK 09 AUDIO
    TITLE "Siroe: Act I. Aria: Se il labbro"
    PERFORMER "Brewer Baroque Chamber Orchestra, Rudolph Palmer"
    REM COMPOSER "George Frideric Handel"
    INDEX 01 23:05:10
  TRACK 10 AUDIO
    TITLE "Siroe: Act I. Recitative: Di te"
    PERFORMER "Brewer Baroque Chamber Orchestra, Rudolph Palmer"
    REM COMPOSER "George Frideric Handel"
    INDEX 01 27:18:32
  TRACK 11 AUDIO
    TITLE "Siroe: Act I. Aria: O placido"
    PERFORMER "Brewer Baroque Chamber Orchestra, Rudolph Palmer"
    REM COMPOSER "George Frideric Handel"
    INDEX 01 28:18:15
  TRACK 12 AUDIO
    TITLE "Siroe: Act I. Recitative: Dall'insidie d'emira"
    PERFORMER "Brewer Baroque Chamber Orchestra, Rudolph Palmer"
    REM COMPOSER "George Frideric Handel"
    INDEX 01 33:57:15
  TRACK 13 AUDIO
    TITLE "Siroe: Act I. Aria: La sorte mia"
    PERFORMER "Brewer Baroque Chamber Orchestra, Rudolph Palmer"
    REM COMPOSER "George Frideric Handel"
    INDEX 01 39:04:65
  TRACK 14 AUDIO
    TITLE "Siroe: Act I. Recitative: Ola! S'osservi"
    PERFORMER "Brewer Baroque Chamber Orchestra, Rudolph Palmer"
    REM COMPOSER "George Frideric Handel"
    INDEX 01 43:24:60
  TRACK 15 AUDIO
    TITLE "Siroe: Act I. Aria: Vedeste mai"
    PERFORMER "Brewer Baroque Chamber Orchestra, Rudolph Palmer"
    REM COMPOSER "George Frideric Handel"
    INDEX 01 43:40:47
  TRACK 16 AUDIO
    TITLE "Siroe: Act I. Recitative: Gran mistero"
    PERFORMER "Brewer Baroque Chamber Orchestra, Rudolph Palmer"
    REM COMPOSER "George Frideric Handel"
    INDEX 01 50:37:00
  TRACK 17 AUDIO
    TITLE "Siroe: Act I. Aria: Chi è più"
    PERFORMER "Brewer Baroque Chamber Orchestra, Rudolph Palmer"
    REM COMPOSER "George Frideric Handel"
    INDEX 01 51:08:35

Код:

REM GENRE Classical
REM DATE 1991
REM DISCID FE0C3912
REM COMMENT "ExactAudioCopy v1.3"
PERFORMER "Rudolph Palmer"
TITLE "Handel - Siroe CD 2"
REM COMPOSER "George Frederick Handel"
FILE "Rudolph Palmer - Handel - Siroe CD 2.flac" WAVE
  TRACK 01 AUDIO
    TITLE "Siroe: Act II. Arioso: Deh voi"
    PERFORMER "Brewer Baroque Chamber Orchestra, Rudolph Palmer"
    REM COMPOSER "George Frideric Handel"
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "Siroe: Act II. Recitative: Ma qui"
    PERFORMER "Brewer Baroque Chamber Orchestra, Rudolph Palmer"
    REM COMPOSER "George Frideric Handel"
    INDEX 01 01:43:17
  TRACK 03 AUDIO
    TITLE "Siroe: Act II. Aria: Mi lagnerò"
    PERFORMER "Brewer Baroque Chamber Orchestra, Rudolph Palmer"
    REM COMPOSER "George Frideric Handel"
    INDEX 01 02:43:52
  TRACK 04 AUDIO
    TITLE "Siroe: Act II. Recitative: Come quel"
    PERFORMER "Brewer Baroque Chamber Orchestra, Rudolph Palmer"
    REM COMPOSER "George Frideric Handel"
    INDEX 00 09:46:25
    INDEX 01 09:46:50
  TRACK 05 AUDIO
    TITLE "Siroe: Act II. Aria: Mi credi"
    PERFORMER "Brewer Baroque Chamber Orchestra, Rudolph Palmer"
    REM COMPOSER "George Frideric Handel"
    INDEX 01 11:44:65
  TRACK 06 AUDIO
    TITLE "Siroe: Act II. Recitative: Pensoso"
    PERFORMER "Brewer Baroque Chamber Orchestra, Rudolph Palmer"
    REM COMPOSER "George Frideric Handel"
    INDEX 00 15:51:40
    INDEX 01 15:51:62
  TRACK 07 AUDIO
    TITLE "Siroe: Act II. Aria: Sgombra"
    PERFORMER "Brewer Baroque Chamber Orchestra, Rudolph Palmer"
    REM COMPOSER "George Frideric Handel"
    INDEX 01 17:06:42
  TRACK 08 AUDIO
    TITLE "Siroe: Act II. Recitative: Signor, per"
    PERFORMER "Brewer Baroque Chamber Orchestra, Rudolph Palmer"
    REM COMPOSER "George Frideric Handel"
    INDEX 00 19:32:62
    INDEX 01 19:33:10
  TRACK 09 AUDIO
    TITLE "Siroe: Act II. Recitative: Gran cose"
    PERFORMER "Brewer Baroque Chamber Orchestra, Rudolph Palmer"
    REM COMPOSER "George Frideric Handel"
    INDEX 01 20:46:67
  TRACK 10 AUDIO
    TITLE "Siroe: Act II. Aria: Fra l'orror"
    PERFORMER "Brewer Baroque Chamber Orchestra, Rudolph Palmer"
    REM COMPOSER "George Frideric Handel"
    INDEX 01 21:10:47
  TRACK 11 AUDIO
    TITLE "Siroe: Act II. Recitative: Qui da"
    PERFORMER "Brewer Baroque Chamber Orchestra, Rudolph Palmer"
    REM COMPOSER "George Frideric Handel"
    INDEX 00 24:39:65
    INDEX 01 24:40:47
  TRACK 12 AUDIO
    TITLE "Siroe: Act II. Aria: Tu di Pietà"
    PERFORMER "Brewer Baroque Chamber Orchestra, Rudolph Palmer"
    REM COMPOSER "George Frideric Handel"
    INDEX 01 30:44:57
  TRACK 13 AUDIO
    TITLE "Siroe: Act II. Recitative: Che risolvermi"
    PERFORMER "Brewer Baroque Chamber Orchestra, Rudolph Palmer"
    REM COMPOSER "George Frideric Handel"
    INDEX 00 35:11:27
    INDEX 01 35:11:62
  TRACK 14 AUDIO
    TITLE "Siroe: Act II. Aria: Fra dubbi"
    PERFORMER "Brewer Baroque Chamber Orchestra, Rudolph Palmer"
    REM COMPOSER "George Frideric Handel"
    INDEX 01 35:47:20
  TRACK 15 AUDIO
    TITLE "Siroe: Act II. Recitative: a costei"
    PERFORMER "Brewer Baroque Chamber Orchestra, Rudolph Palmer"
    REM COMPOSER "George Frideric Handel"
    INDEX 00 40:31:15
    INDEX 01 40:31:17
  TRACK 16 AUDIO
    TITLE "Siroe: Act II. Aria: L'aura non"
    PERFORMER "Brewer Baroque Chamber Orchestra, Rudolph Palmer"
    REM COMPOSER "George Frideric Handel"
    INDEX 01 41:33:30
  TRACK 17 AUDIO
    TITLE "Siroe: Act II. Recitative: Si diversi"
    PERFORMER "Brewer Baroque Chamber Orchestra, Rudolph Palmer"
    REM COMPOSER "George Frideric Handel"
    INDEX 00 45:36:65
    INDEX 01 45:37:65
  TRACK 18 AUDIO
    TITLE "Siroe: Act II. Aria: Non vi piacque"
    PERFORMER "Brewer Baroque Chamber Orchestra, Rudolph Palmer"
    REM COMPOSER "George Frideric Handel"
    INDEX 01 45:55:15

Код:

REM GENRE Classical
REM DATE 1991
REM DISCID F00C6B12
REM COMMENT "ExactAudioCopy v1.3"
PERFORMER "Rudolph Palmer"
TITLE "Handel - Siroe CD 3"
REM COMPOSER "George Frederick Handel"
FILE "Rudolph Palmer - Handel - Siroe CD 3.flac" WAVE
  TRACK 01 AUDIO
    TITLE "Siroe: Act III. Sinfonia"
    PERFORMER "Brewer Baroque Chamber Orchestra, Rudolph Palmer"
    REM COMPOSER "George Frideric Handel"
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "Siroe: Act III. Recitative: No, no!"
    PERFORMER "Brewer Baroque Chamber Orchestra, Rudolph Palmer"
    REM COMPOSER "George Frideric Handel"
    INDEX 01 00:31:17
  TRACK 03 AUDIO
    TITLE "Siroe: Act III. Aria: Se il caro"
    PERFORMER "Brewer Baroque Chamber Orchestra, Rudolph Palmer"
    REM COMPOSER "George Frideric Handel"
    INDEX 01 02:22:50
  TRACK 04 AUDIO
    TITLE "Siroe: Act III. Recitative: Rendi"
    PERFORMER "Brewer Baroque Chamber Orchestra, Rudolph Palmer"
    REM COMPOSER "George Frideric Handel"
    INDEX 00 06:45:27
    INDEX 01 06:45:52
  TRACK 05 AUDIO
    TITLE "Siroe: Act III. Aria: Gelido"
    PERFORMER "Brewer Baroque Chamber Orchestra, Rudolph Palmer"
    REM COMPOSER "George Frideric Handel"
    INDEX 00 11:39:52
    INDEX 01 11:40:00
  TRACK 06 AUDIO
    TITLE "Siroe: Act III. Recitative: Che vuoi"
    PERFORMER "Brewer Baroque Chamber Orchestra, Rudolph Palmer"
    REM COMPOSER "George Frideric Handel"
    INDEX 00 18:41:22
    INDEX 01 18:42:57
  TRACK 07 AUDIO
    TITLE "Siroe: Act III. Aria: Benchè"
    PERFORMER "Brewer Baroque Chamber Orchestra, Rudolph Palmer"
    REM COMPOSER "George Frideric Handel"
    INDEX 01 19:52:57
  TRACK 08 AUDIO
    TITLE "Siroe: Act III. Accompanied Recitative: Son stanco"
    PERFORMER "Brewer Baroque Chamber Orchestra, Rudolph Palmer"
    REM COMPOSER "George Frideric Handel"
    INDEX 00 23:36:15
    INDEX 01 23:36:37
  TRACK 09 AUDIO
    TITLE "Siroe: Act III. Aria: Deggio morire"
    PERFORMER "Brewer Baroque Chamber Orchestra, Rudolph Palmer"
    REM COMPOSER "George Frideric Handel"
    INDEX 00 25:16:70
    INDEX 01 25:17:40
  TRACK 10 AUDIO
    TITLE "Siroe: Act III. Recitative: Arasse non"
    PERFORMER "Brewer Baroque Chamber Orchestra, Rudolph Palmer"
    REM COMPOSER "George Frideric Handel"
    INDEX 00 32:15:70
    INDEX 01 32:16:57
  TRACK 11 AUDIO
    TITLE "Siroe: Act III. Aria: Ch'io mai"
    PERFORMER "Brewer Baroque Chamber Orchestra, Rudolph Palmer"
    REM COMPOSER "George Frideric Handel"
    INDEX 01 34:04:15
  TRACK 12 AUDIO
    TITLE "Siroe: Act III. Recitative: Siroe, gia"
    PERFORMER "Brewer Baroque Chamber Orchestra, Rudolph Palmer"
    REM COMPOSER "George Frideric Handel"
    INDEX 00 38:01:55
    INDEX 01 38:02:42
  TRACK 13 AUDIO
    TITLE "Siroe: Act III. Aria: Torrente"
    PERFORMER "Brewer Baroque Chamber Orchestra, Rudolph Palmer"
    REM COMPOSER "George Frideric Handel"
    INDEX 01 39:18:60
  TRACK 14 AUDIO
    TITLE "Siroe: Act III. Sinfonia"
    PERFORMER "Brewer Baroque Chamber Orchestra, Rudolph Palmer"
    REM COMPOSER "George Frideric Handel"
    INDEX 00 43:34:70
    INDEX 01 43:35:55
  TRACK 15 AUDIO
    TITLE "Siroe: Act III. Recitative: Vinto ancor"
    PERFORMER "Brewer Baroque Chamber Orchestra, Rudolph Palmer"
    REM COMPOSER "George Frideric Handel"
    INDEX 01 43:51:12
  TRACK 16 AUDIO
    TITLE "Siroe: Act III. Aria: La mia"
    PERFORMER "Brewer Baroque Chamber Orchestra, Rudolph Palmer"
    REM COMPOSER "George Frideric Handel"
    INDEX 01 45:34:07
  TRACK 17 AUDIO
    TITLE "Siroe: Act III. Recitative: Ecco, Persia"
    PERFORMER "Brewer Baroque Chamber Orchestra, Rudolph Palmer"
    REM COMPOSER "George Frideric Handel"
    INDEX 00 49:55:22
    INDEX 01 49:55:47
  TRACK 18 AUDIO
    TITLE "Siroe: Act III. Coro Finale: Dolcissimi"
    PERFORMER "Brewer Baroque Chamber Orchestra, Rudolph Palmer"
    REM COMPOSER "George Frideric Handel"
    INDEX 01 50:37:67

Код:

Notes - John Ostendorf
Opera in London 1728
By 1728 George Frideric Handel's Italian operas had enjoyed nearly a full decade of celelbrity under the aegis of the Royal Academy. Handel himself was the particular favorite of George I. That monarch had awarded British citizenship to the German-born composer two years before. The King's death in summer 1727, however, signalled an end to Handel's Unchallenged reign as first in a field of esteemed opera composers in London.
Although the city's fickle public was tiring of imported divas, they could still be excited by flaring temperaments, and willingly fanned the flames of rivalry. The Italian castrati were beginning to fade from fashion. These rare birds were now as much ridiculed in London as they were pampered. The local press - both daily publications and satirical pamphlets - began to treat Handel's singers cruelly.
Handel's Singers
The male alto castrato, Senesino, had captivated London audiences for more than a decade; Handel created many title roles for him. The castrato had always been a controversial figure, as much celebrated for pure, perfect vocal production and seamless coloratura phrases as he was disdained for his unnaturalness, puffed ego and public preening.
By the mid-l720's, the presence of a gifted castrato onstage wasn't enough to satisfy the jaded public's appetites. The soprano diva,imported from Italy was a1so a prerequisite. Indeed, London audiences now required not one but two rival soprani onstage to whip them into a frenzy.
Francesca Cuzzoni was a short, "lumpish and stiff" singer with "a wonderful high-soaring" soprano voice. She is reported, by Handel biographer Herbert Weinstock, to have had an effortless technique (spanning the two octaves from low to high C) which lasted throughout a career of more than three decades. Upon her arrival on the London scene six seasons before Siroe, Cuzzoni had straight away impressed her temperament on Handel. He composed the elaoorate aria "Falsa imagine" for her in Ottone; she refused to sing it.
The closing night of the 1727 season, the rivalry reached a culmination. Despite the presence of several members of the royal family, the crowds at the King's Theatre were rowdy. Both sopranos were appearing in the final performance of an opera by Bononcini. Factional booing and hissing greeted the onstage arrival of each lady. A fight broke out in the audience and grew to such proportions that several participants leapt onto the stage. Whipped to lyric fury, the two divas went at each other's elaborate hairpieces. Coiffures were clawed to a tangle. Faustina was described - and this event was widely and endlessly reported in every quarter of the city - as every bit as bloodthirsty a combattant as La Cuzzoni. One London writer wryly suggested that the ladies hire a hall and slug it out in public, with the "best woman taking the house receipts."
Cuzzoni's London reign was challenged in 1726 by the arrival from Venice of Faustina Bordoni, wife to composer Johann Hasse. She was a singer with a lower range (B-flat below middle C to the G above the next octave) more typical of today' s mezzo-soprano. Faustina was, reportedly, a more cultivated individual than Cuzzoni. But Weinstock s description does sound biased: "a woman of commanding intelligence, proverbially sweet disposition and compelling character who made Cuzzoni seem the merest, sweet-warbling viper." The composer Johann Quantz, visiting London the season before Siroe's premiere, was similarly smitten: "Faustina is born for singing and acting!" It should, nevertheless, be added that Faustina's Italian nickname, "La nuova Sirena" may not have derived from her captivating looks alone. Indeed, she did nothing to quiet the furor which surrounded her and her rival Cuzzoni.
Handel publically labelled the sopranos "hussies" for their hair-raising behavior, then promptly hired both for the following season. And despite the Royal Academy's half-hearted attempt to fire Signora Cuzzoni (some - but not all - felt she had initiated the brawl), the public insisted on her immediate re-instatement.
Handel's Plans for Siroe
In early January 1728 George Frederic Handel began composition on a new work to be based on the life of Genserich, the medieval King of the Vandals. The title role of Genserico was slated for the celebrated bass Giuseppe Boschi, who had sung in London since Handel's first days in that city. But by the end of the month he set aside this work only half-complete, turning instead to a popular libretto he had just received from the Italian poet Pietro Metastasio: Siroe, re di Persia. Three Genserico arias found their way into the pages of Siroe, Act I. A fourth (Laodice's air "Ormiperdo") was inserted and later omitted by Handel. Boschi was to sing the bass role, Cosroe, the King of Persia; Senesino, his son Siroe. The two principal soprano roles were to fall to Faustina and Cuzzoni.
This dazzling cast had already brought Handel success in past seasons. But in 1728 his finances were a shambles. The Royal Academy's popularity had dwindled to the point where no permanent subscriptions nad been purchased for that season. Ticket sales and the occasional, desperate levy on the Board of Directors and Governors provided the only income. But with his starry casting, a new score and exciting libretto, Handel had high hopes for Siroe's premiere. Bad luck intervened.
The Beggar's Opera
Three weeks before the February 17,1728 premiere of Handel's Siroe, rival composer Johann Christoph Pepusch and the brilliant satirist/librettist John Gay introduced to London The Beggar's Opera, an English-language operetta. Eschewing foreign tongues, lofty monarchs and high-flown affairs of state, theirs was a "bawdy and vulgar work with great tunes and witty texts." It was, in H. Robbins Landon's description, "thoroughly English: everyone could understand the words. It was the death knell for Handel's operas and the Italian singers."
While Pepusch did openly rob tunes from Purcell and from Handel himself (the March from Rinaldo was lifted intact), The Beggar's Opera did not specifically parody Handel's operas. Charles Cudworth: "It is of a different genre and owed its initial success more as a satire of Prime Minister Robert Walpole than of Handel."
Nevertheless, the public stayed away from the King's Theatre in droves, flocking instead to hear performances of Gay' s work. Polly Peachum - and not Handel's heroines - was on everyone's lips. Now references to Faustina and company were apt to be satirical. One wag pamphleteer lampooned the Italians soon after The Beggar's Opera opened:
"Go where you will, the subject still
Is pretty, pretty Polly.
There's Madame Faustina, Catso!
And else Madama Catsoni.
Likewise Signior Senesino
Are tutti abbandoni"
The Siroe Premiere
It was in this infertile climate that George Frideric Handel premiered his Italian opera on February 17, 1728. Fearful of public impatience with his score's excessively long secco recitatives (sung dialogue with only keyboard/ cello accompaniment), Handel shortened them for the premiere--where and how much we do not know. Chrysander does not specify.
King George II, Queen Caroline, and three of their daughters were in attendance. The performance was not a success: bedragled, second-hand sets, inadequate rehearsal and miserable attendance did not help matters. Siroe did find some champions. A London writer chastized the public for rushing to "the miserable low scenes of B-R'S O-A, while Siroe is performed to almost Empty Benches." A wealthy patroness, much impressed with Handel's new score, wrote to her friend, Lady Newdigate: "May your Honour leave as soon as she can her work looms and, having concluded a truce with embroidery, come to hear this beautiful opera. I am sure that Jove in his Olympian feats has not had such an elegant diversion."
Modern scholars have also been complimentary. Dean admired the work, especially the secco scenes: "these are extremely good, as Handel has really well-written dialogue to set to music." While Weinstock and others have claimed that "much of the music" was lifted from Handel's own Flavio, a routine examination of that 1723 score shows no such borrowing.
Siroe played 18 performances (a nineteenth was cancelled) on Tuesdays and Saturdays through the end of April 1728. Signora Cuzzoni was by this time almost seven months pregnant, yet was still singing as beautifully onstage as she was behaving badly offstage. She is said to have spread salacious rumors about Faustina Bordoni's character, gossip she continued to monger after the two ladies left London and Handel's employ, importing their feud to Paris and then Venice to, one assumes, unabated public delight.
Back in London, the Royal Academy collapsed altogether from lack of public delight a scant eight weeks after the final performance of Siroe. Handel's singers deserted him instantly and fled to the Continent. Siroe was thereafter performed only twice (at Brunswick in August 1730 and there again, finally, January 29, 1735). Handel did "borrow" two arias from the score for use in a pastiche Roxana twenty years later. From that time until, presumably, the present, Siroe has been ignored.
The Score
Siroe is composed for five solo singers (a sixth, the bass role Arasse, appears only briefly in the recitative scenes) and a chamber orchestra of strings, oboes, and continuo. The opera runs to three shortish acts and contains no chorus. The single, concluding "Coro" is in fact sung by the soloists. The standard 18th-century pattern of French-style overture, followed by a succession of alternating secco recitatives and dacapo arias, prevails in Siroe.
Handel's writing for the solo voices gives a clear picture of the specific strengths and weaknesses of his celebrated cast. Senesino was noted for his heartfelt laments and long florid passages. but also for a limited vocal range (his alto role barely exceeds an octave in scope). The noble and fury airs given to the King were ideal for the bass Boschi. His great Act III scene and dacapo aria" Gelido in ogni vena" has been singled out as the finest music in the score.
For his rival sopranos, the composer was under strict contract to provide exactly equal and identically showcasing music. Yet it is easy to discern that Emira's delicate traceries, lower range and more complex stage character specifically suited Faustina's capacities, and the more powerful, high-lying coloratura for Laodice befitted Cuzzoni's stronger soprano.
The Siroe Libretto
Handel's libretto has a more elaborate history than his score. Written in 1726 by the legendary Metastasio, Siroe, re di Persia was only that poet's second attempt at an opera text. In a mere two seasons Siroe had been set by no fewer than six Italian composers (Vinci, Gristomo, Popora, Sarri, Porla and Antonio Vivaldi each proauced a version.) No-one in London had heard any these works. But intrigued by the text, George Frideric Handel - as noted - interrupted work on one opera to turn to Metastasio's libretto. He convinced a writer-colleague, Nicola Haym, to shorten the original text. Paul Henry Lang compliments Siroe: "Its language is clear, poetic and easy to set. These clear and forceful lines prompted Handel to write the many recitatives that are dramatic and imaginative. In fact, the dramatic tone as opposed to the lyric dominates this opera.
The plot runs roughly parallel to Shakespeare's Lear: 'the King of Persia, Cosroe, wishes to abdicate. He seeks an oath of allegiance from his two sons, intending to decide between them. One son, Medarse,disguising his own evil nature, swears his fidelity. The other, Siroe, who has served his father faithfully, is offended by this request and will not swear. The deluded King rebuffs Siroe and embraces Medarse.
Matters are complicated by the intervention of a male courtier, Idaspe, supposedly Cosroe's trusted confidant but in fact the disguised Cambian princess Emira, sworn enemy of King Cosroe and secret lover of his son Siroe. Emira wants Siroe to prove his love and avenge her by slaying the father. When the horrified Siroe refuses, Emira vows to assassinate the King herself. Desperate to alert Cosroe but without betraying his lover; Siroe writes an anonymous letter warning the King of the plot.
The evil brother claims the letter as his own and accuses Siroe of complicity in the plot. Confronted, Siroe cannot reveal the truth and is therefore himself blamed. He is also the object of the affections of Princess Laodice. When Siroe spurns her, she too turns on him. Cosroe gives his son many chances to confess and repent o rreveal the other plotters. Siroe still refuses to speak. Rival factions, some supporting the Prince, others his father, threaten civil war. Pushed to the limit, the King condemns his son to death.
The trusted General Arasse reports Siroe's execution. Hearing this, Emira explodes, throws off her disguise and reveals both her own identity and Siroe's innocence. Cosroe is horrified. After many further developments, matters resolve happily: Arasse confesses that he did not have the heart to kill Siroe. The Prince, in good health, is reunited with his father; the bad brother and the petulant Laodice are remorseful; Emira agrees to put her criminal tendencies behind her. The King passes the crown to Siroe and all ends in a choral declaration of hope and happiness.
The Current Edition
Handel's Siroe score - unlike many of his others - is clear and quite straightforward. There are no alternate airs to decide upon, no incomplete recitatives, very few options which complicate other Handel Italian manuscripts. Preparing a modern performance edition and translating the forceful, uncomplicated Haym text proved a fairly simple task. Both the Handel original (on microfilm in New York) and the exhaustive, careful Friedrich Chysander 19th-century complete works are very legible. Handel's string bowings are unusually specific and handsomely marked, as are his occasional dynamic and tempo specifications. Indeed, the score has basically been available and easily accessible to anyone interested in performing it.