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Tomas de Torrejon y Velasco - La Purpura de la rosa
Жанр: Baroque Opera
Страна-производитель диска: Italy
Год издания диска: 1990
Издатель (лейбл): Nuova Era
Номер по каталогу: CD 6936
Дата записи: 1990
Аудиокодек: APE
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 67'00
Источник: собственный рип
Наличие сканов в содержимом раздачи: да

1. Prologue
2. Al bosque, al bosque, monteras
3. Sabras, Celfa, responder a una duela
4. Corred, corred, cristales
5. En poco nos ha enganado
6. No puede Amor
7. Huid, pastores
8. Un Adonis
9. Con la fuerza del dolor

Исполнители:
Tomas de Torrejon y Velasco - La Purpura de la rosa
Venus - Mieke van der Sluis, soprano
Adonis - Mark Tucker, tenor
Marte - Piedro Liendo, bass
Amore - Luis Alves Da Silva, countertenor
Belona - Elisabeth Von Magnus, mezzo-soprano
Chato - Joseph Benet, tenor
Celfa - Lina Akerlund, soprano
La Sospecha - Stephanie Prewitt, mezzo-soprano
La Ira - Pamela Mildenhall, soprano
etc.
Ensemble Vocal La Capella
Clemencic Consort
René Clemencic

Код:

Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 8. August 2013, 15:01
Torrejon / La Purpura de la Rosa, Clemencic 1990
Used drive  : TSSTcorpCDDVDW SE-208AB   Adapter: 1  ID: 0
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 6
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Native Win32 interface for Win NT & 2000
Used output format              : Monkey's Audio Lossless Encoder
Selected bitrate                : High Lossless Compression
Quality                         : High
Add ID3 tag                     : Yes
Command line compressor         : K:\Program Files (x86)\Exact Audio Copy\Monkeys Audio\Monkey's Audio\MAC.exe
Additional command line options : -6 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "COMMENT=%comment%" -T "BAND=%albuminterpret%" -T "ALBUMARTIST=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" %hascover%--picture="%coverfile%"%hascover% %source% -o %dest%
TOC of the extracted CD
     Track |   Start  |  Length  | Start sector | End sector
    ---------------------------------------------------------
        1  |  0:00.33 |  8:34.67 |        33    |    38649
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        7  | 53:19.68 |  5:04.17 |    239993    |   262809
        8  | 58:24.10 |  3:57.05 |    262810    |   280589
        9  | 62:21.15 |  4:44.18 |    280590    |   301907
Range status and errors
Selected range
     Filename I:\Foobar-EAC\Torrejon - La Purpura de la Rosa, Clemencic 1990.wav
     Peak level 100.0 %
     Extraction speed 2.0 X
     Range quality 100.0 %
     Test CRC 5AFA7494
     Copy CRC 5AFA7494
     Copy OK
No errors occurred
AccurateRip summary
Track  1  accurately ripped (confidence 1)  [0DFCA77B]  (AR v1)
Track  2  accurately ripped (confidence 1)  [7DD0F9D0]  (AR v1)
Track  3  accurately ripped (confidence 1)  [3D351D6E]  (AR v1)
Track  4  accurately ripped (confidence 1)  [AAD4D370]  (AR v1)
Track  5  accurately ripped (confidence 1)  [581278A5]  (AR v1)
Track  6  accurately ripped (confidence 1)  [560702ED]  (AR v1)
Track  7  accurately ripped (confidence 1)  [37E711E1]  (AR v1)
Track  8  accurately ripped (confidence 1)  [ED47E794]  (AR v1)
Track  9  accurately ripped (confidence 1)  [7C7857C3]  (AR v1)
All tracks accurately ripped
End of status report
==== Log checksum 62C506E8F0A7B804BFEF7558D8FB4F3E1472DBB15155FADBB518287EFFA54D37 ====

Код:

REM GENRE Opera
REM DATE 1990
REM DISCID 7D0FB909
REM COMMENT "ExactAudioCopy v1.0b3"
PERFORMER "Torrejon"
TITLE "La Purpura de la Rosa, Clemencic 1990"
FILE "Torrejon - La Purpura de la Rosa, Clemencic 1990.ape" WAVE
  TRACK 01 AUDIO
    TITLE "Loa (Prologo)"
    PERFORMER "Torrejon"
    INDEX 00 00:00:00
    INDEX 01 00:00:33
  TRACK 02 AUDIO
    TITLE "Al bosque, al bosque"
    PERFORMER "Torrejon"
    INDEX 01 08:35:25
  TRACK 03 AUDIO
    TITLE "Sabras, Celfa, responder a una duda"
    PERFORMER "Torrejon"
    INDEX 01 19:17:50
  TRACK 04 AUDIO
    TITLE "Corred, corred, cristales"
    PERFORMER "Torrejon"
    INDEX 01 32:54:33
  TRACK 05 AUDIO
    TITLE "En poco nos ha enganado"
    PERFORMER "Torrejon"
    INDEX 01 34:35:10
  TRACK 06 AUDIO
    TITLE "No puede amor"
    PERFORMER "Torrejon"
    INDEX 01 47:40:68
  TRACK 07 AUDIO
    TITLE "Huid, pastores"
    PERFORMER "Torrejon"
    INDEX 01 53:19:68
  TRACK 08 AUDIO
    TITLE "Un Adonis!"
    PERFORMER "Torrejon"
    INDEX 01 58:24:10
  TRACK 09 AUDIO
    TITLE "Con la fuerza del dolor"
    PERFORMER "Torrejon"
    INDEX 01 62:21:15

A variety of claims have been made for the historical importance of La púrpura de la Rosa, including it being the first opera performed in the Americas, and the first opera composed in the Americas, but there is considerable scholarly debate about those claims, as well as uncertainty about who actually composed it.
What's known with certainty is that Spanish composer and court organist Tomás de Torrejón y Velasco mounted a performance of it in 1701 in Lima, Peru.
The only surviving copy of the score includes only the vocal lines, so its effectiveness largely depends on the skill of the musicologist or performer who creates a fully realized performing edition.
The version by René Clemencic is more than an hour shorter than those of Andrew Lawrence-King and Gabriel Garrido, and fails to make an especially strong case for the work, especially when it is compared to the sophistication and inspiration of operas that had been produced throughout the previous century in Venice by composers like Monteverdi, Cavalli, Cesti, and Legrenzi.
It has some lovely and charming moments, particularly the choruses, the inventive and beautifully structured ensemble, "Ay de aquel que en principio de celos," and Venus' lament, but it lacks the coherence, depth, and wit of the Venetian operas.
The unevenness of the performances doesn't do the work many favors, either.
Soprano Mieke van der Sluis as Venus, tenor Mark Tucker as Adonis, and bass Pedro Liendo as Marte sing with polish and professionalism, and some of the smaller roles are well taken, but some of the cast seems to be made up of amateurs.
The Clemencic Consort plays with competence but without particular distinction.
Ensemble Vocal la Cappella sings with grace and warmth.
The sound is clear and nicely balanced, but a little thin.