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Puccini - Il Tabarro [The Cloak] (Olivero, Fioravanti, Bottion, Rafanelli - Delogu 1970)
Жанр: Opera
Страна-производитель диска: USA
Год издания диска: 2001
Издатель (лейбл): Opera D'Oro
Номер по каталогу: OPD-1274
Дата записи: 1970
Аудиокодек: APE
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 53'48
Источник: собственный рип
Наличие сканов в содержимом раздачи: да
Треклист:

1. 0 Michele? Michele? - Giorgetta/Michele/Luigi/Tinca/Talpa
2. Dunque, che cosa credi? - Giorgetta/Michele
3. 0 eterni innamorati, buona sera! - Frugola/Giorgetta
4. Se tu sapessi - Frugola/Giorgetta
5. To'! guarda la mia vecchia! - Talpa/Frugala/Michele/Luigi/Tinca
6. Hai ben ragione - Luigi
7. Segui il mio esempio: bevi! - Tinca/Giorgetta/Talpa/Frugola
8. Eben altro il mio sogno - Giorgetta/Frugola/LuigilTalpa
9. Mici vecchi, buona notte - Frugola/Talpa
10. 0 Luigi! Luigi! - Giorgctta/Luigi
11. Come? Non sei andato? - Michcle/Luigi
12. Dimmi: perche gli hai chiesto - Giorgetta/Michele
13. Come? e difficile esser felice - Giorgetta/Michele
14. Squaldrina! - Michele
15. Nulla' Si!enzio! - Michele
16. T'ho colto! - Micheie/Luigi/Giargetta
17. Avevo ben ragione - Michele/Giorgetta

Исполнители:

Giacomo Puccini
Il tabarro
Giorgetta - Magda Olivero
Michele - Giulio Fioravanti
Luigi - Aldo Bottion
Frugola - Flora Rafanelli
Tinca - Dino Formichini
Talpa - Augusto Frati
Orchestra & Chorus of Teatro Comunale Florence
Gaetano Delogu
Live performance 1970

Код:

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EAC extraction logfile from 6. April 2013, 0:11
Puccini / Il Tabarro, Delogu 1970
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Код:

REM GENRE Opera
REM DATE 1970
REM DISCID 0A0C9D11
REM COMMENT "ExactAudioCopy v1.0b3"
CATALOG 0723723957023
PERFORMER "Puccini"
TITLE "Il Tabarro, Delogu 1970"
FILE "Puccini - Il Tabarro, Delogu 1970.ape" WAVE
  TRACK 01 AUDIO
    TITLE "O Michele? Michele?"
    PERFORMER "Puccini"
    FLAGS DCP
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "Dunque, che cosa credi?"
    PERFORMER "Puccini"
    FLAGS DCP
    INDEX 01 08:15:23
  TRACK 03 AUDIO
    TITLE "O eterni innamorati, buona sera!"
    PERFORMER "Puccini"
    FLAGS DCP
    INDEX 01 12:30:24
  TRACK 04 AUDIO
    TITLE "Se tu sapessi"
    PERFORMER "Puccini"
    FLAGS DCP
    INDEX 01 13:39:29
  TRACK 05 AUDIO
    TITLE "To'! guarda la mia vecchia!"
    PERFORMER "Puccini"
    FLAGS DCP
    INDEX 01 16:34:49
  TRACK 06 AUDIO
    TITLE "Hai ben ragione"
    PERFORMER "Puccini"
    FLAGS DCP
    INDEX 01 18:03:44
  TRACK 07 AUDIO
    TITLE "Segui il mio esempio: bevi!"
    PERFORMER "Puccini"
    FLAGS DCP
    INDEX 01 20:03:37
  TRACK 08 AUDIO
    TITLE "Eben altro il mio sogno"
    PERFORMER "Puccini"
    FLAGS DCP
    INDEX 01 21:29:66
  TRACK 09 AUDIO
    TITLE "Miei vecchi, buona notte"
    PERFORMER "Puccini"
    FLAGS DCP
    INDEX 01 26:02:36
  TRACK 10 AUDIO
    TITLE "O Luigi! Luigi!"
    PERFORMER "Puccini"
    FLAGS DCP
    INDEX 01 27:42:19
  TRACK 11 AUDIO
    TITLE "Come? Non sei andato?"
    PERFORMER "Puccini"
    FLAGS DCP
    INDEX 01 29:38:26
  TRACK 12 AUDIO
    TITLE "Dimmi: perche gli hai chiesto"
    PERFORMER "Puccini"
    FLAGS DCP
    INDEX 01 30:52:04
  TRACK 13 AUDIO
    TITLE "Come e difficle esser felice"
    PERFORMER "Puccini"
    FLAGS DCP
    INDEX 01 35:51:01
  TRACK 14 AUDIO
    TITLE "Squaldrina!"
    PERFORMER "Puccini"
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    INDEX 01 44:05:30
  TRACK 15 AUDIO
    TITLE "Nulla! Silenzio!"
    PERFORMER "Puccini"
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    INDEX 01 45:46:24
  TRACK 16 AUDIO
    TITLE "T'ho colto!"
    PERFORMER "Puccini"
    FLAGS DCP
    INDEX 01 48:47:63
  TRACK 17 AUDIO
    TITLE "Avevo ben ragione"
    PERFORMER "Puccini"
    FLAGS DCP
    INDEX 01 51:17:11

Доп. информация: Il tabarro

Puccini has long been the leading composer on the operatie hit parade, with La Bohème, Tósca and Madama Butterfly topping the charts.
In recent years, his once-neglected final (and unfinished) opera, Turandot, has joined the winner's circle thanks to a number of factors, led by increasing exposure of the thrilling tenor aria "Nessun dorma."
Inquire of alleged Puccini lovers, however, and you will find many who have never heard of Il tabarro ("The Cloak"), or at least can tell you nothing about it; yet there are many connoisseurs of Puccini's work-and some who ordinarily shun it-who will name this short opera as his most authentic masterpiece.
IL tabarro is treasured by practiced listeners for the precision and subtlety of both its musical score and its dramatic structure.
Puccini is incomparable here in setting scene, delincating character, and building to a climax.
In one of his most sophisticated and modern scores he brilliantly evokes the flowing waters of the Seine and the sinister foreboding, the monotony and terror, that can afflict the lives of common folk.
A myriad of thoughtful details are masterfully interwoven to create a seamless, organic whole that unfolds smoothly and effectively from the opening bars to the final chords.
There is na dearth of verismic shock value, yet this work has never captured the imagination of the wider public as has Tosca, a work similar in dramatic style and force.
In fact, it has fared less well than the other two one-act operas forming Il trittico, Puccini's triptych which also inc1udes Suor Angelica and Gianni Schicchi.
The composer had wanted to combine three short operas into a single evening's entertainment for some years, and Il tabarro was the first of the triptych to be composed.
It was inspired by the play La houppelande ("The Cloak") by Didier Gold, which Puccini had seen in Paris in 1912.
Giuseppe Adami adapted it as an opera libretto and Puccini completed the score in 1916.
In the next two years he created its companion pieces, and Il trittico had its world premiere at the Metropolitan Opera, New York, on December 14, 1918.
The publisher Ricordi had been opposed to the idea of a triple bill from the beginning, and his doubts were to a degree justified: The three operas have seldom since been per­formed together.
More commonly two of them make up a double bill, or one is paired with a short opera by some other composer, in the manner of " Cav and Pag."
lronically, the most famous aria in Il tabarro is "Scorri, fiume eterno" ("Flow on, eternal river"), a monologue for Michele-which Puccini later ordered cut from the score as holding up the action.