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Chueca - Agua, Azucarillos y Aguardiente
Жанр: Classical zarzuela
Страна-производитель диска: Made in Spain
Год издания диска: Cassette - 1971 / LP - 1976 / CD - 1987
Издатель (лейбл): PolyGram
Номер по каталогу: 834 008-2
Дата записи: 1968
Аудиокодек: FLAC
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 56'35
Источник: релизер
сайт-источник/ник/другое: odeonmusic
Наличие сканов в содержимом раздачи: да

Код:

Acto único:
01.- Preludio - 2' 29"
02.- Fragmento hablado “¡Oh, tímido jilguero!” - 7' 55"
03.- Seguidillas  “Tanto vestido nuevo, tanta farola” - 5' 00"
04a.- Fragmento hablado “¡Valiente víspera de mi santo!... “¡Pepa, Pepita!... “¡Buenas noches, señorito Serafín!” - 13' 00”
04b.- Fragmento hablado “¡Y tú qué te haces ahora!” - 6' 34"
05.- Pasacalle “Vivimos en la Ronda de Embajadores” - 2' 01"
06.- Fragmento hablado “¡Ay! ¡No puedo más!” Vals “¿Está dormida?" - 6' 59"
07.- Fragmento hablado  “¡Yo creo qué me he quedado traspuesta” - 2' 26"
Coro de niñeras “Tanto vestido nuevo” - 5' 09"
08.- Coro final  “Ya es más de la una y media” Mazurca y canción de Garibaldi “Ya es más de la una y media” y “Una niñeira di Barcelona”, Panaderos “Ya está ahí la Manuela, Cuarteto de Pepa, Manuela, Lorenzo y Vicente “Vamos a ver ¿qué ha pasao? y pasacalle “Pa que veas Manuela lo que es Vicente”  - 9' 43

Код:

Federico Chueca (1846-1908)
"Agua, Azucarillos y Aguardiente"
(Sainete Lirico, Pasillo Verniege en Un Acta)
Miguel Ramos Carrión / Federico Chueco
Agua, azucarillos y aguardiente (zarzuela en 1 acto y dos cuadros)
Вода, сласти и спиртное (сарсуэла в 1 действии, 2 картинах)
Либретто Мигеля Рамоса Карриона
Премьера: 23.6.1897, т-р "Аполо", Мадрид
with:
Manuela – Isabel Penagos
Pepa – Inés Rivadeneira
Asia – María Teresa Aristu
Doña Simona – Rafaela Aparicio
Vicente – Ramón Alonso
Lorenzo – José Granados
Serafín – José Foronda
Garibaldi – Gregorio Gil
[i]Coros "Teatro Apolo"
Orquesta "Teatro Apolo"[/i]
Odón Alonso - conductor
В основе сюжета сарсуэлы лежит эпизод из жизни «доморощенных аристократов», контрастирующий с бытом простых мадридцев.

Код:

Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 8. June 2012, 21:08
Odón Alonso / Chueca - Agua, Azucarillos y Aguardiente - Odón Alonso
Used drive  : HL-DT-STDVDRAM GSA-H10A   Adapter: 0  ID: 0
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 667
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Native Win32 interface for Win NT & 2000
Used output format              : User Defined Encoder
Selected bitrate                : 1024 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Program Files\Exact Audio Copy\Flac\flac.exe
Additional command line options : -8 -V -T "TITLE=%title%" -T "ARTIST=%artist%" -T "ALBUMARTIST=%albumartist%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "TRACKTOTAL=%numtracks%" -T "GENRE=%genre%" -T "COMMENT=%comment%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %source% -o %dest%
TOC of the extracted CD
     Track |   Start  |  Length  | Start sector | End sector
    ---------------------------------------------------------
        1  |  0:00.32 |  2:34.00 |        32    |    11581
        2  |  2:34.32 |  7:57.00 |     11582    |    47356
        3  | 10:31.32 |  5:05.00 |     47357    |    70231
        4  | 15:36.32 | 19:39.00 |     70232    |   158656
        5  | 35:15.32 |  2:04.00 |    158657    |   167956
        6  | 37:19.32 |  7:01.05 |    167957    |   199536
        7  | 44:20.37 |  2:28.53 |    199537    |   210689
        8  | 46:49.15 |  9:46.30 |    210690    |   254669
Range status and errors
Selected range
     Filename F:\Ripped general\[0829] Chueca - Agua, Azucarillos y Aguardiente - Odón Alonso\Chueca - Agua, Azucarillos y Aguardiente - Odón Alonso.wav
     Peak level 96.4 %
     Extraction speed 7.4 X
     Range quality 100.0 %
     Test CRC 563F00D1
     Copy CRC 563F00D1
     Copy OK
No errors occurred
AccurateRip summary
Track  1  not present in database
Track  2  not present in database
Track  3  not present in database
Track  4  not present in database
Track  5  not present in database
Track  6  not present in database
Track  7  not present in database
Track  8  not present in database
None of the tracks are present in the AccurateRip database
End of status report

Код:

REM DISCID 5E0D4308
REM COMMENT "ExactAudioCopy v1.0b3"
PERFORMER "Odón Alonso"
TITLE "Chueca - Agua, Azucarillos y Aguardiente - Odón Alonso"
FILE "Chueca - Agua, Azucarillos y Aguardiente - Odón Alonso.flac" WAVE
  TRACK 01 AUDIO
    TITLE "Preludio"
    PERFORMER "Odón Alonso"
    FLAGS PRE
    INDEX 00 00:00:00
    INDEX 01 00:00:32
  TRACK 02 AUDIO
    TITLE "Fragmento hablado “¡Oh, tímido jilguero!”"
    PERFORMER "Odón Alonso"
    FLAGS PRE
    INDEX 00 02:31:72
    INDEX 01 02:34:32
  TRACK 03 AUDIO
    TITLE "Seguidillas  “Tanto vestido nuevo, tanta farola”"
    PERFORMER "Odón Alonso"
    FLAGS PRE
    INDEX 00 10:30:45
    INDEX 01 10:31:32
  TRACK 04 AUDIO
    TITLE "Fragmento hablado “¡Valiente víspera de mi santo!... “¡Pepa, Pepita!... “¡Buenas noches, señorito Serafín!” / Fragmento hablado “¡Y tú qué te haces ahora!”"
    PERFORMER "Odón Alonso"
    FLAGS PRE
    INDEX 00 15:34:37
    INDEX 01 15:36:32
  TRACK 05 AUDIO
    TITLE "Pasacalle “Vivimos en la Ronda de Embajadores”"
    PERFORMER "Odón Alonso"
    FLAGS PRE
    INDEX 00 35:12:45
    INDEX 01 35:15:32
  TRACK 06 AUDIO
    TITLE "Fragmento hablado “¡Ay! ¡No puedo más!” Vals “¿Está dormida?""
    PERFORMER "Odón Alonso"
    FLAGS PRE
    INDEX 01 37:19:32
  TRACK 07 AUDIO
    TITLE "Fragmento hablado  “¡Yo creo qué me he quedado traspuesta”"
    PERFORMER "Odón Alonso"
    FLAGS PRE
    INDEX 01 44:20:37
  TRACK 08 AUDIO
    TITLE "Coro final  “Ya es más de la una y media” Mazurca y canción de Garibaldi “Ya es más de la una y media” y “Una niñeira di Barcelona”, Panaderos “Ya está ahí la Manuela, Cuarteto de Pepa, Manuela, Lorenzo y Vicente “Vamos a ver ¿qué ha pasao? y pasacalle “Pa que veas Manuela lo que es Vicente”"
    PERFORMER "Odón Alonso"
    FLAGS PRE
    INDEX 00 46:47:70
    INDEX 01 46:49:15

Код:

Chueca was born May 5th, 1846 in Madrid's Casa de los Lujanes, a squat tower on the Plaza de la Villa where his father Marcelino was caretaker. At the age of eight he was enrolled at the Madrid Conservatory, and by the following year some of his little examination piano pieces were attracting the attention of the local press. Nonetheless on leaving school he adopted a less chancy career, starting medical studies at the San Carlos in 1862.
Managing (like many other students) to get arrested in the infamous St Daniel's Night Uprising of 1865 - an event recalled in Galdos' great novel Fortunata y Jacinta - he used his time in jail to compose a waltz sequence boldly called A Prisoner's Lament. Barbieri heard this, liked it well enough to orchestrate it, and changing the title to the more urbane Cupid and Esculapius introduced it at the outdoor Teatro Rossini to great effect. Chueca's worship of Barbieri as his "Father in Music" is thus hardly surprising.
 The death from cholera of his earthly parents in 1867 forced Chueca to give up medicine and rejoin the Conservatory, where he studied with Castellano, Miró and Aguado, staying alive by playing piano at the Café de Zaragoza. In 1868 he composed a Hymn to General Prim, which was eventually to become famous as the March from Cadiz, finally adopted as a quasi-national anthem by the military in 1896.
In 1874 Chueca became conductor of the Teatro de Variedades, writing his first stage work - the brief El sobrino del difunto - for the Jardín del Buen Retiro in summer of the following year. In 1877 the same venue witnessed the dawn of a fruitful collaboration with Joaquín Valverde, in the one-act Un maestro de obra prima. The many works they wrote together over the next 15 or so years include the three-act Los barrios bajos (1878), the hugely successful La canción de la Lola (1880), Fiesta Nacional (1882), the patriotic Cádiz (1886 - source of the famous march still associated with the Spanish military), El año pasado por agua (1889) and - most influential of all - La Gran Vía (1886), which celebrated the construction of Madrid's fashionable new thoroughfare in an original mix of satire, sophistication and popular song and dance.
In 1885 he became conductor of the Teatro Apolo, increasingly working alone, and devoting much time to the infant art of photography, of which he was a skilled exponent. The best of his later zarzuelas include El chaleco blanco (1890), Las zapatillas (1895), La alegría de la huerta (1900) and - a last major success - El bateo (1901). He died of complications arising from diabetes on June 20th 1908, to be buried with great pomp and circumstance at the Cemetery of St Justo, a man nationally mourned and admired. The Madrid Plaza which bears his name is situated next to the Calle Barbieri - a monument to his friendship with "my Father in Music" of which Chueca would have been justly proud.
 Chueca's training was piecemeal, his grasp of compositional technique imperfect. But what he lacks in musicianly subtlety he makes up for in melodic verve, wit and sheer cheek. His partnership with Valverde is one of the most successful in 19th century theatre music, and perhaps the main role of his collaborator was to add a patina of academic polish to Chueca's lively inspiration. At all events the insouciant elegance of their one-act zarzuelas is irresistible - especially the famous "street party" of La Gran Vía, with its string of popular dance forms: polka, waltz, tango, jota, mazurka and schottisch. The greatest of the post-Valverde pieces is the brief but brilliant Agua, azucarillos y aguardiente (1897), a vivid celebration of streetwise Madrid that sounds as fresh today as when Chueca wrote it.