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Ottorino Respighi - La Bella Dormente nel Bosco (The Sleeping Beauty)
Жанр: Opera
Страна-производитель диска: Germany
Год издания диска: 1995
Издатель (лейбл): Marco Polo
Номер по каталогу: 8.223742
Дата записи: 1995
Аудиокодек: APE
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 76'59
Источник: собственный рип
Наличие сканов в содержимом раздачи: да

1. La tiepida notte intesse ghirlande di tremule stelle
2. Ahime! non posso reggermi che troppo camminai
3. Da molti giorni, omai, il dolce invito udimmo, che giunse dal tuo Re
4. Negli incantati regni cercate, o mie sorelle, i piu splendenti doni
5. Il buffone la canzone, bimba cara ti prepara
6. Bimba felice, nata con l'aprile, piu dolce ancora che i piu dolci fiori
7. Che vegg'io Furibonda, madornale, e la rabbia che m'assale
8. Magica sorte, ahime! terribile ne incombe!
9. Per sempre obliata in gran solitudin, la vecchia sdentata continua a filar
10. Primavera, la monella! di farfalle incoronata, qual poeta, cosi bella, nel suo cuore t'ha sognata
11. Pur codesto veder dovevo
12. La potenza d'ogni Re non disperde la condanna della grande Fata Verde
13. Non altra speme, dunque
14. O mia diletta, piangi sul cuore del tuo Re!
15. La querimonia vana ora a frenar v'invito!
16. Alla fiera mi sono comprata una bella gentil mogliettina, tutta bionda, galante, piccina, piu piccin
17. Oh! la sfrenata corsa!
18. Or tu mi guardi e chiedi se ne l'ignoto viaggio fido potrai seguirmi!
19. Faccio inchino a lor, signori! Ma nessun m'attende qui
20. O magica vision! Belta si dolce e pura veduta non ho mai!
21. Compiuto e il voto del grande amore!
22. Benvenuti nella Reggia voi, signori dell' April

Исполнители:
Ottorino Respighi - La Bella Dormente nel Bosco (The Sleeping Beauty)
Musical fairy-tale in 3 acts
Libretto: Gian Bistolfi after Charles Perrault
Il Re - Richard Haan, baritone
La Regina - Denisa Slepkovska, mezzo-soprano
La Fata Azzurra - Adriana Kohútková, soprano
La Principessa - Jana Valásková, soprano
Il Principe Aprile - Guillermo Domínguez, tenor
La Vecchietta - Ivana Czaková, soprano
Slovak Philharmonic Chorus
Slovak Radio Symphony Orchestra
Adriano

Код:

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Respighi / La bella dorrmente nel bosco, Adriano
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Код:

REM GENRE Opera
REM DATE 1994
REM DISCID 46120C16
REM COMMENT "ExactAudioCopy v1.0b3"
PERFORMER "Respighi"
TITLE "La bella dorrmente nel bosco, Adriano"
FILE "Respighi - La bella dorrmente nel bosco, Adriano.ape" WAVE
  TRACK 01 AUDIO
    TITLE "La tiepida notte intesse ghirlande di tremule stelle "
    PERFORMER "Respighi"
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "Ahime! non posso reggermi che troppo camminai "
    PERFORMER "Respighi"
    INDEX 01 05:59:30
  TRACK 03 AUDIO
    TITLE "Da molti giorni, omai, il dolce invito udimmo, che giunse dal tuo Re "
    PERFORMER "Respighi"
    INDEX 01 09:27:32
  TRACK 04 AUDIO
    TITLE "Negli incantati regni cercate, o mie sorelle, i piu splendenti doni "
    PERFORMER "Respighi"
    INDEX 01 13:33:60
  TRACK 05 AUDIO
    TITLE "Il buffone la canzone, bimba cara ti prepara "
    PERFORMER "Respighi"
    INDEX 00 15:07:42
    INDEX 01 15:10:22
  TRACK 06 AUDIO
    TITLE "Bimba felice, nata con l'aprile, piu dolce ancora che i piu dolci fiori "
    PERFORMER "Respighi"
    INDEX 01 17:19:17
  TRACK 07 AUDIO
    TITLE "Che vegg'io Furibonda, madornale, e la rabbia che m'assale"
    PERFORMER "Respighi"
    INDEX 01 23:30:05
  TRACK 08 AUDIO
    TITLE "Magica sorte, ahime! terribile ne incombe! "
    PERFORMER "Respighi"
    INDEX 01 25:27:60
  TRACK 09 AUDIO
    TITLE "Per sempre obliata in gran solitudin, la vecchia sdentata continua a filar "
    PERFORMER "Respighi"
    INDEX 00 29:38:02
    INDEX 01 29:42:22
  TRACK 10 AUDIO
    TITLE "Primavera, la monella! di farfalle incoronata, qual poeta, cosi bella, nel su..."
    PERFORMER "Respighi"
    INDEX 01 31:19:25
  TRACK 11 AUDIO
    TITLE "Pur codesto veder dovevo "
    PERFORMER "Respighi"
    INDEX 01 33:34:47
  TRACK 12 AUDIO
    TITLE "La potenza d'ogni Re non disperde la condanna della grande Fata Verde "
    PERFORMER "Respighi"
    INDEX 01 41:17:17
  TRACK 13 AUDIO
    TITLE "Non altra speme, dunque "
    PERFORMER "Respighi"
    INDEX 00 42:11:07
    INDEX 01 42:14:22
  TRACK 14 AUDIO
    TITLE "O mia diletta, piangi sul cuore del tuo Re! "
    PERFORMER "Respighi"
    INDEX 01 44:19:12
  TRACK 15 AUDIO
    TITLE "La querimonia vana ora a frenar v'invito! "
    PERFORMER "Respighi"
    INDEX 01 48:01:02
  TRACK 16 AUDIO
    TITLE "Alla fiera mi sono comprata una bella gentil mogliettina, tutta bionda, galan..."
    PERFORMER "Respighi"
    INDEX 00 54:25:25
    INDEX 01 54:30:22
  TRACK 17 AUDIO
    TITLE "Oh! la sfrenata corsa! "
    PERFORMER "Respighi"
    INDEX 01 56:24:10
  TRACK 18 AUDIO
    TITLE "Or tu mi guardi e chiedi se ne l'ignoto viaggio fido potrai seguirmi! "
    PERFORMER "Respighi"
    INDEX 01 62:29:35
  TRACK 19 AUDIO
    TITLE "Faccio inchino a lor, signori! Ma nessun m'attende qui "
    PERFORMER "Respighi"
    INDEX 01 65:26:60
  TRACK 20 AUDIO
    TITLE "O magica vision! Belta si dolce e pura veduta non ho mai! "
    PERFORMER "Respighi"
    INDEX 01 67:38:62
  TRACK 21 AUDIO
    TITLE "Compiuto e il voto del grande amore! "
    PERFORMER "Respighi"
    INDEX 01 73:22:07
  TRACK 22 AUDIO
    TITLE "Benvenuti nella Reggia voi, signori dell' April "
    PERFORMER "Respighi"
    INDEX 01 74:52:47

The Italian composer Ottorino Respighi studied music in his native Bologna and later, briefly, with Rimsky-Korsakov in St Petersburg.
A viola player and pianist as well as a composer, he settled in Rome in 1913, earning a reputation also for his interest in early music and for his work as a teacher.
The music of La bella dormente nel bosco, which Respighi described as an innocent mockery of contemporary melodrama, is quite a revelation, containing a synthesis of the composer's stylistic versatility while revealing his musical sense of humour, which ranges from the most forthright to the most refined parody.
The composer clearly had it in mind to pay homage to musicians then in fashion, to Wagner, Massenet and Debussy (not only with Mr Dollar's Cakewalk), Puccini and Stravinsky.
It is obvious that such subtleties cannot reach every audience, especially the younger, but unprepared listeners may find pleasure, nevertheless, in the opera's appealing and generally romantic fairy-tale score.
Contemporary critics discovered, welcomed and even overrated the composer's few marks of homage to Wagner in the Prince's journey to the castle (Siegfried's Rheinfahrt), in the Green Fairy's melodrama (Freia's motif rather than Erda's) and in the waking scene of the Princess (Brünnhilde's), not to mention the suggestion of Die Meistersinger in the Doctor's scene.
In addition to other marks of homage, particularly those to Puccini (as clearly in the final love-duet), since Respighi never talked in detail about his work, we can presume that there may also be quotations and references, the result rather of intuition than intention from an eclectic mind.
What is important in this apparently lightweight piece is that its goal has been fully reached in a score that displays incredible spontaneity, sensibility, melody and thoroughly virtuosic instrumentation.

Act l
[1] – [4] Scene 1
The scene is set in the countryside, with flowers blooming, by the side of a small lake.
It is a starlit night.
The year is 1620.
The song of the Nightingale competes with that of the Cuckoo, finally to be disturbed by a group of dancing Frogs.
The Royal Ambassador and a Herald arrive to announce the birth of the Princess and to invite all Fairies to the imminent christening.
The Blue Fairy and her companions appear, telling the astounded Ambassador that they will agree to be the godmothers of the Princess.
Singing in chorus, the Fairies fly away and only the two lonely birds are heard again.
[5] - [8] Scene 2
The scene is now the Great Hall of the castle.
The Court Jester improvises a comic lullaby by the golden cradle of the baby Princess.
The King and Queen appear, accompanied by the Fairies and the royal guests.
The Blue Fairy pays homage to the Princess and is echoed by her companions.
A group of Rose Nymphs dances a languorous waltz.
The ceremony, reaching a climax in a solemn march, with the ringing of bells, is interrupted by the arrival of the angry Green Fairy, who with fire and smoke makes all the guests disappear.
To the trembling royal couple she offers her own christening present, announcing that at the age of twenty the Princess will prick her finger on a spindle and fall asleep for ever.
When she has disappeared, the King calls the Master of Spindles, ordering him to destroy at once all the spinning-wheels in the kingdom.
The Blue Fairy does not countermand this spell at once, but calls an ethereal chorus of singing stars to ensure that a watchful eye will now be kept on the Princess.
Act II
[9] - [12] Scene I
Twenty years have passed.
In a forgotten turret of the castle a toothless old crone sits over a forgotten spinningwheel, singing a melancholy song of loneliness.
The woman leaves the room in search of some wool and the Princess comes in, singing of the joys of spring.
She greets the suspicious Cat, who introduces her to the Spindle and the three dance together.
The old woman returns and, urged by the Princess, teaches her how to spin, using a spindle that she had kept apart.
The Cat does notice this, but it is already too late: the Princess has pricked her finger and falls slowly asleep.
The old woman rushes out to call for help, while the Spindle starts to whirl around the Green Fairy's victim in triumph.
[13] – [15] Scene 2
In the royal apartments once more four Doctors, armed with huge syringes, tell the King that the illness of the Princess is unknown.
After these incompetent physicians have been dismissed the Queen joins her husband in a mournful duet.
A funeral procession enters.
The Princess, carried in a sedan chair by two white marmots, seems only asleep.
Professional mourners are engaged, realising that no kind of sweet foods, nor those soft melodies of the morbid Strauss, have been of use in rousing the Princess.
Finally the Blue Fairy appears.
She orders the Princess to be put in an alcove and casts her own spell of sleep over everyone.
She predicts that the Princess will one day wake through a kiss of love and leaves, as her task is concluded by a legion of humming Spiders that cover the scene with their silvery webs.
Act III
[16] – [18] Scene I
The action takes place some three hundred years later, around 1940.
The scene is a place in the woods from which the enchanted castle can be seen.
A Woodcutter sings, joined in chorus by his fellows.
Prince April appears, accompanied by the Duchess and by a group of huntsmen.
In the party are also members of the 'Paper-Hunt', a rich American society presided over by Mr Dollar Cheques.
After a brief attempt at flirtation with the Duchess, the Prince is intrigued by the mysterious castle, all covered with ivy .
The Woodcutter tells him the legend of the sleeping Princess lying therein, still waiting for the kiss of April that will break the spell.
The whole company is urged to return home at once and the Duchess, already jealous, is consoled by Mr Dollar to the point that he offers to buy the sleeping Beauty, whatever she costs.
After his arietta the Prince leaves his horse and, full of desire, approaches the castle.
[19] Scene 2
In the hall in which the Princess lies, Prince April ironically greets the motionless courtiers he meets, learning from distant echoing voices that it will be love, inspired by the spring, that will help him break the magic spell.
[20] – [22] Scene 3
A great Spider tries to lure him into her web, but the Prince destroys her with his riding-whip.
Suddenly the alcove is brightly lit.
The sleeping Beauty lies there on her bed and the Prince's kiss awakes her and the others under the spell.
After a passionate love duet, the Blue Fairy makes a final, triumphant appearance, transforming the old chamber into a splendid throne-room.
The royal couple and the guests rejoice.
The 'Paper-Hunt' group, that has just entered, manages to bring all the seventeenth century people into a dance with them, a nouveau style Fox-Trot.