[anvar]

Philippe Manoury - 60th Parallel
Жанр: Contemporary Opera,
Страна-производитель диска: Germany
Год издания диска: 2000
Издатель (лейбл): Naxos
Номер по каталогу: 8.554249-50
Дата записи: 1997
Аудиокодек: APE
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 61'00+27'49
Источник: собственный рип
Наличие сканов в содержимом раздачи: да

1. Prologue (Musique Electronique)
2. Prelude
3. En d'Autres Temps, Cette Fin M'aurait Fait Rire
4. Maria Se Dirige Vers Le Telephone
5. Interlude Musical
6. Interlude Musical
7. Interlude Musical
8. Interlude Musical
9. Non, Non. C'est Toujours Le Meme
10. Your Attention, Please...
11. Deux Cents Morceaux
12. Your Attention, Please. Final Call...Final Call...

1. Vous Avez Vu Cette Jeune Personne?
2. Interlude Nuit
3. Le Passe Qui Revlent, Qui Remonte A La Surface
4. Une Lumiere Jaune, Striee Par Les Lumieres Clignotantes Rouges Du Chasse-Neige...
5. Un Temps
6. La Telephone Contre Le Mur Se Met A Sonner. Maria Se Precipite Vers L'appareil et Deroche
7. Applaudisements

Исполнители:
Philippe Manoury - 60th Parallel
Jean-Philippe Courtis, bass
Menai Davies, mezzo-soprano
Hedwig Fassbender, mezzo-soprano
Paul Gay, bass-baritone
Rie Hamada, soprano
Marie Therese Keller, mezzo-soprano
Donald Maxwell, baritone
Jean-Marc Salzmanm, baritone
Ian Thompson, tenor
Orchestre de Paris
David Robertson, conductor

Код:

Exact Audio Copy V1.0 beta 6 from 9. April 2015
EAC extraction logfile from 6. September 2015, 19:16
Maxwell, Courtis, Thompson, Fassbender_Orchestre de Paris / Manoury - 60th Parallel, Robertson CD1
Used drive : TSSTcorpCDDVDW SE-208AB Adapter: 1 ID: 2
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : Monkey's Audio Lossless Encoder
Selected bitrate : High Lossless Compression
Quality : High
Add ID3 tag : Yes
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\MAC\MAC.exe
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.00 | 1:17.05 | 0 | 5779
2 | 1:17.05 | 6:25.00 | 5780 | 34654
3 | 7:42.05 | 11:07.15 | 34655 | 84694
4 | 18:49.20 | 5:16.10 | 84695 | 108404
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6 | 31:36.42 | 5:35.23 | 142242 | 167389
7 | 37:11.65 | 3:44.72 | 167390 | 184261
8 | 40:56.62 | 3:15.53 | 184262 | 198939
9 | 44:12.40 | 6:52.67 | 198940 | 229906
10 | 51:05.32 | 3:45.65 | 229907 | 246846
11 | 54:51.22 | 2:09.68 | 246847 | 256589
12 | 57:01.15 | 3:56.27 | 256590 | 274316
Range status and errors
Selected range
Filename D:\EAC\Manoury - 60th Parallel, Robertson CD1.wav
Peak level 100.0 %
Extraction speed 2.1 X
Range quality 100.0 %
Test CRC 8F072B49
Copy CRC 8F072B49
Copy OK
No errors occurred
AccurateRip summary
Track 1 accurately ripped (confidence 2) [2E964CFE] (AR v2)
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All tracks accurately ripped
End of status report
---- CUETools DB Plugin V2.1.6
[CTDB TOCID: wChmKDRLBpvqpbp0wWtJynG1e1s-] found
Submit result: already submitted
Track | CTDB Status
1 | (4/4) Accurately ripped
2 | (4/4) Accurately ripped
3 | (4/4) Accurately ripped
4 | (4/4) Accurately ripped
5 | (4/4) Accurately ripped
6 | (4/4) Accurately ripped
7 | (4/4) Accurately ripped
8 | (4/4) Accurately ripped
9 | (4/4) Accurately ripped
10 | (4/4) Accurately ripped
11 | (4/4) Accurately ripped
12 | (4/4) Accurately ripped
==== Log checksum 81917943D082E75A55A1F8CB9A8E894E517D2F52D15FA603CF5117848B53DC17 ====

Exact Audio Copy V1.0 beta 6 from 9. April 2015
EAC extraction logfile from 6. September 2015, 18:16
Maxwell, Courtis, Thompson, Fassbender_Orchestre de Paris / Manoury - 60th Parallel, Robertson CD2
Used drive : TS8XDVDSTRANSCEND Adapter: 1 ID: 1
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : Monkey's Audio Lossless Encoder
Selected bitrate : High Lossless Compression
Quality : High
Add ID3 tag : Yes
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\MAC\MAC.exe
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.00 | 1:28.12 | 0 | 6611
2 | 1:28.12 | 10:29.58 | 6612 | 53844
3 | 11:57.70 | 1:52.72 | 53845 | 62316
4 | 13:50.67 | 3:47.65 | 62317 | 79406
5 | 17:38.57 | 5:34.03 | 79407 | 104459
6 | 23:12.60 | 3:53.25 | 104460 | 121959
7 | 27:06.10 | 0:41.17 | 121960 | 125051
Range status and errors
Selected range
Filename D:\EAC\Manoury - 60th Parallel, Robertson CD2.wav
Peak level 72.9 %
Extraction speed 1.6 X
Range quality 100.0 %
Test CRC 7AEF7B07
Copy CRC 7AEF7B07
Copy OK
No errors occurred
AccurateRip summary
Track 1 accurately ripped (confidence 2) [55B64CAF] (AR v2)
Track 2 accurately ripped (confidence 2) [E8C74C67] (AR v2)
Track 3 accurately ripped (confidence 2) [64D1F1AF] (AR v2)
Track 4 accurately ripped (confidence 2) [2C8AA835] (AR v2)
Track 5 accurately ripped (confidence 2) [126068EC] (AR v2)
Track 6 accurately ripped (confidence 2) [324962DD] (AR v2)
Track 7 accurately ripped (confidence 2) [F3132D1B] (AR v2)
All tracks accurately ripped
End of status report
---- CUETools DB Plugin V2.1.6
[CTDB TOCID: rpSnkXHhJHulC6NpWhpRa_id9Aw-] found
Submit result: unrecognized or virtual drive
Track | CTDB Status
1 | (4/4) Accurately ripped
2 | (4/4) Accurately ripped
3 | (4/4) Accurately ripped
4 | (4/4) Accurately ripped
5 | (4/4) Accurately ripped
6 | (4/4) Accurately ripped
7 | (4/4) Accurately ripped
==== Log checksum 90460E6EE96DEC8B65161E434B3B1C1D51CAE4848EBDD7DCBA93B125389F488A ====

Код:

REM GENRE Opera
REM DATE 1997
REM DISCID AB0E490C
REM COMMENT "ExactAudioCopy v1.0b6"
CATALOG 0000000000000
PERFORMER "Maxwell, Courtis, Thompson, Fassbender_Orchestre de Paris"
TITLE "Manoury - 60th Parallel, Robertson CD1"
FILE "Manoury - 60th Parallel, Robertson CD1.ape" WAVE
TRACK 01 AUDIO
TITLE "Prologue (musique electronique)"
PERFORMER "Maxwell, Courtis, Thompson, Fassbender_Orchestre de Paris"
ISRC HKI199819701
INDEX 01 00:00:00
TRACK 02 AUDIO
TITLE "Prelude (orchestre)"
PERFORMER "Maxwell, Courtis, Thompson, Fassbender_Orchestre de Paris"
ISRC HKI199819702
INDEX 01 01:17:05
TRACK 03 AUDIO
TITLE "Rudy (a Wim)"
PERFORMER "Maxwell, Courtis, Thompson, Fassbender_Orchestre de Paris"
ISRC HKI199819703
INDEX 01 07:42:05
TRACK 04 AUDIO
TITLE "Maria se dirige vers le telephone"
PERFORMER "Maxwell, Courtis, Thompson, Fassbender_Orchestre de Paris"
ISRC HKI199819704
INDEX 01 18:49:20
TRACK 05 AUDIO
TITLE "Interlude musical ('Wait')"
PERFORMER "Maxwell, Courtis, Thompson, Fassbender_Orchestre de Paris"
ISRC HKI199819705
INDEX 01 24:05:30
TRACK 06 AUDIO
TITLE "Interlude musical"
PERFORMER "Maxwell, Courtis, Thompson, Fassbender_Orchestre de Paris"
ISRC HKI199819706
INDEX 01 31:36:42
TRACK 07 AUDIO
TITLE "Interlude musical"
PERFORMER "Maxwell, Courtis, Thompson, Fassbender_Orchestre de Paris"
ISRC HKI199819707
INDEX 01 37:11:65
TRACK 08 AUDIO
TITLE "Interlude musical ('Choral')"
PERFORMER "Maxwell, Courtis, Thompson, Fassbender_Orchestre de Paris"
ISRC HKI199819708
INDEX 01 40:56:62
TRACK 09 AUDIO
TITLE "Maria (qui se fait les ongles)"
PERFORMER "Maxwell, Courtis, Thompson, Fassbender_Orchestre de Paris"
ISRC HKI199819709
INDEX 01 44:12:40
TRACK 10 AUDIO
TITLE "Haut-parleur"
PERFORMER "Maxwell, Courtis, Thompson, Fassbender_Orchestre de Paris"
ISRC HKI199819710
INDEX 01 51:05:32
TRACK 11 AUDIO
TITLE "Wittkop (a l'homme plie a terre)"
PERFORMER "Maxwell, Courtis, Thompson, Fassbender_Orchestre de Paris"
ISRC HKI199819711
INDEX 01 54:51:22
TRACK 12 AUDIO
TITLE "Haut-parleur"
PERFORMER "Maxwell, Courtis, Thompson, Fassbender_Orchestre de Paris"
ISRC HKI199819712
INDEX 01 57:01:15

REM GENRE Opera
REM DATE 1997
REM DISCID 52068307
REM COMMENT "ExactAudioCopy v1.0b6"
CATALOG 0000000000000
PERFORMER "Maxwell, Courtis, Thompson, Fassbender_Orchestre de Paris"
TITLE "Manoury - 60th Parallel, Robertson CD2"
FILE "Manoury - 60th Parallel, Robertson CD2.ape" WAVE
TRACK 01 AUDIO
TITLE "Vous avez vu cette jeune personne?"
PERFORMER "Maxwell, Courtis, Thompson, Fassbender_Orchestre de Paris"
ISRC HKI199819801
INDEX 01 00:00:00
TRACK 02 AUDIO
TITLE "Interlude nuit"
PERFORMER "Maxwell, Courtis, Thompson, Fassbender_Orchestre de Paris"
ISRC HKI199819802
INDEX 01 01:28:12
TRACK 03 AUDIO
TITLE "Le passe qui revient, qui remonte a la surface"
PERFORMER "Maxwell, Courtis, Thompson, Fassbender_Orchestre de Paris"
ISRC HKI199819803
INDEX 01 11:57:70
TRACK 04 AUDIO
TITLE "Une lumiere jaune, striee par les lumieres clignotantes rouges du chasse - ne..."
PERFORMER "Maxwell, Courtis, Thompson, Fassbender_Orchestre de Paris"
ISRC HKI199819803
INDEX 01 13:50:67
TRACK 05 AUDIO
TITLE "Un temps"
PERFORMER "Maxwell, Courtis, Thompson, Fassbender_Orchestre de Paris"
ISRC HKI199819805
INDEX 01 17:38:57
TRACK 06 AUDIO
TITLE "Le telephone contre le mur se met a sonner. Maria se precipite vers l'apparei..."
PERFORMER "Maxwell, Courtis, Thompson, Fassbender_Orchestre de Paris"
ISRC HKI199819806
INDEX 01 23:12:60
TRACK 07 AUDIO
TITLE "Applaudisements"
PERFORMER "Maxwell, Courtis, Thompson, Fassbender_Orchestre de Paris"
ISRC HKI199819807
INDEX 01 27:06:10

By the standards of contemporary opera, 60th Parallel has had good exposure.
Commissioned by IRCAM and Paul Sacher (among others) and first performed in 1997 at the Theatre du Chatelet, the work was even broadcast on British television a couple of years ago. The plot, developed in collaboration between the composer, the librettist Michel Deutsch and the director Pierre Strosser, is an absurdist huis-clos of people stranded in an airport departure lounge during a snowstorm.
Two men, one of whom is an east-European war criminal who eventually kills the other after he being threatened with exposure; two women flying off on holiday together, one of whom secretly loves the other; a mad scientist on his way to a conference with Einstein’s brain as hand-luggage; a harassed air hostess, and a few extras.
The trouble is that these plotlines are insufficient to sustain 90 minutes’ entertainment, so the action (such as it is) and the dialogues are thinly spread.
Other problems are the contrast between the purposely banal dialogues (‘Would you like an orange?’ ‘No thanks.’ ‘Wait, what about some chocolate then?’ etc) and the mostly post- expressionistic stance of the music for large orchestra, supplemented by (recorded) electroacoustics, and Manoury’s attitude to vocal writing here, modelled (as he says) more on Debussy and Strauss than Berio or Ligeti.