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Сообщение 10 мар 2018, 13:48 

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Russell Oberlin - Handel Arias

Жанр: Classical vocal
Страна-производитель диска: Made in the EU
Год издания диска: 2007
Издатель (лейбл): Deutsche Grammophon GmbH, Hamburg
Номер по каталогу: 477 6541
Дата записи: 1959
Аудиокодек: APE
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 47'43
Источник: релизер
сайт-источник/ник/другое: Nibelung
Наличие сканов в содержимом раздачи: да
Треклист:
1. But who may abide the day of his coming (Messiah)
2. How beautiful are the feet (Messiah)
3. Their land brought forth frogs (Israel in Egypt)
4. Thou shalt bring them (Israel in Egypt)
5. Ah dolce nome! (Muzio Scevola)
6. Vivi, tiranno, io th'o scampato (Rodelinda)
7. Dove sei, amato bene (Rodelinda)
8. Ombra cara (Radamisto)
Код:
Georg Friedrich Händel (1685-1759)
Le Messie, HWV 56 (Extraits)
"But who may abide the day of his coming"
"How beautiful are the feet"
Israel in Egypt, HWV 54 (Extraits)
N° 5 Air: "Their land brought forth frogs"
N° 26 Air: "Thou shalt bring them"
Muzio Scevola, HWV 13 (Extraits)
"Ah dolce nome!"
Rodelinda, regina de' Longobardi, HWV 19 (Extraits)
"Vivi, tiranno, io t'ho scampato"
"Dove sei, amato bene?"
Radamisto (Extraits)
"Ombra cara"
Russell Oberlin, contre-ténor
Albert Fuller, clavecin
The Baroque Chamber Orchestra
Direction Thomas Dunn
Код:
Exact Audio Copy V1.0 beta 1 from 15. November 2010
EAC extraction logfile from 11. March 2012, 17:41
Russell Oberlin / Händel Arien
Used drive  : ASUS    DRW-1608P   Adapter: 0  ID: 0
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 48
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Installed external ASPI interface
Used output format : Monkey's Audio Lossless Encoder v3.99 DLL
Sample format      : High Lossless Compression
TOC of the extracted CD
     Track |   Start  |  Length  | Start sector | End sector
    ---------------------------------------------------------
        1  |  0:00.00 |  4:58.00 |         0    |    22349
        2  |  4:58.00 |  3:26.00 |     22350    |    37799
        3  |  8:24.00 |  2:35.00 |     37800    |    49424
        4  | 10:59.00 |  4:41.00 |     49425    |    70499
        5  | 15:40.00 |  8:29.00 |     70500    |   108674
        6  | 24:09.00 |  6:35.00 |    108675    |   138299
        7  | 30:44.00 |  8:16.00 |    138300    |   175499
        8  | 39:00.00 |  8:47.00 |    175500    |   215024
Range status and errors
Selected range
     Filename D:\Downloads\Russell Oberlin - Händel Arien.ape
     Peak level 100.0 %
     Extraction speed 1.3 X
     Range quality 100.0 %
     Copy CRC C7D49050
     Copy OK
No errors occurred
AccurateRip summary
Track  1  accurately ripped (confidence 3)  [1BDC4B0D]
Track  2  accurately ripped (confidence 3)  [1FBBA260]
Track  3  accurately ripped (confidence 3)  [54EEE670]
Track  4  accurately ripped (confidence 3)  [F3EE58C8]
Track  5  accurately ripped (confidence 3)  [14E821F6]
Track  6  accurately ripped (confidence 3)  [97B09E9B]
Track  7  accurately ripped (confidence 3)  [3A58332C]
Track  8  accurately ripped (confidence 3)  [BB97007A]
All tracks accurately ripped
End of status report
Код:
REM GENRE Classical
REM DATE 1960
REM DISCID 550B3308
REM COMMENT "ExactAudioCopy v1.0b1"
PERFORMER "Russell Oberlin"
TITLE "Handel Arien"
FILE "Russell Oberlin - Handel Arien.ape" WAVE
  TRACK 01 AUDIO
    TITLE "Messiah: But who may abide the day of His coming"
    PERFORMER "Russell Oberlin"
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "Messiah: How beautful, are the teet"
    PERFORMER "Russell Oberlin"
    INDEX 01 04:58:00
  TRACK 03 AUDIO
    TITLE "Israel in Egypt: Their land brought forth frogs"
    PERFORMER "Russell Oberlin"
    INDEX 01 08:24:00
  TRACK 04 AUDIO
    TITLE "Israel in Egypt: Thou shalt bring them in"
    PERFORMER "Russell Oberlin"
    INDEX 01 10:59:00
  TRACK 05 AUDIO
    TITLE "Muzio Scaevola: Ah dolce nome!"
    PERFORMER "Russell Oberlin"
    INDEX 01 15:40:00
  TRACK 06 AUDIO
    TITLE "Rodelinda: Vivi, tiranno!"
    PERFORMER "Russell Oberlin"
    INDEX 01 24:09:00
  TRACK 07 AUDIO
    TITLE "Rodelinda: Dove sei, amato bene"
    PERFORMER "Russell Oberlin"
    INDEX 01 30:44:00
  TRACK 08 AUDIO
    TITLE "Radamisto: Ombra cara"
    PERFORMER "Russell Oberlin"
    INDEX 01 39:00:00
Код:
Five decades ago, when Alfred Deller was trailblazing for the countertenor voice in Britain, Russell Oberlin was doing the same thing in America. Oberlin doesn't sound anything like what we expect from a countertenor. Rather than a velvety alto, his is actually a piercingly sweet tenor timbre, but generally "sitting" at least a fourth higher than the typical lyric tenor. He gets a little reedy at the very top, but he has fine flexibility (listen to the coloratura in "Vivi tiranno" from Rodelinda, sung in rather too "polite" Italian), and he caresses legato passages with expert control (in, for example, an exquisite "Thou shalt bring them in" from Israel in Egypt). Stylistically we've come a long way since Oberlin; there are some scooped attacks and swoopy phrasing, while ornamentation is often musically awkward and, in one instance, downright outrageous (the cadenza concluding Radamisto's "Ombra cara"). Also, although he's a fervent interpreter, genuine dramatic fire isn't Oberlin's to give. Still, the singing here – particularly the more plaintive arias – gives considerable pleasure. The orchestral accompaniment is very much of its time, grand-toned and stodgy. Fine sound, but no texts and only a brief program note. --Roger Pines
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