Media:
Mercury SR 90226 (1960)
George Piros RFR-1 Master (Original)
Matrix:
Side A: SR-90226A-RFR-1 F (etched)
Side B: SR-90226B-RFR-1 F P17 (etched)
Matrix key:
RFR-1 = Robert Fine Recording, 1st Master
P17 = Master lacquer cut by George Piros. "P17" was Piros' preferred setup with 'P' indicating the cutter head and '17' the lathe.
Equipment:Technics SL-1200 MK2 turntable
KAB TD-1200 tonearm fluid damper
KAB Cardas tonearm rewire
KAB PS-1200GX external power supply
KAB SX-1200 strobe disabler
KAB RC-1200 record clamp
Dynavector 17d3 Karat (low output moving coil cartridge)
Sumiko HS12 Headshell
Pro-Ject Tube Box II SE preamp
2x JJ Electronic ECC803 S Gold Pin 12AX7
ART Jazz Mogami interconnects
ZOOM H4N recorder
Procedure:Cleaned on KAB EV-1 using a Hunt EDA Mark 6 brush
Fluid:
Distilled water
0.0625% Tergitol 15 S-3 oil soluble surfactant
0.0625% Tergitol 15 S-9 water soluble surfactant
Preamp recorded to 24-bit/96kHz WAV using Zoom H4N (neutral gain)
Manually declicked in Izotope TX
FLAC encoded using XLD
Additional Notes:My approach is based on keeping the transfer process simple as well as preserving the presentation of the original LP playback as closely as possible. Unless otherwise noted, the preamp output has not been resampled.