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"Capitol/Telefunken 45 rpm sets. Keilberth & Schmidt-Isserstedt in works by Reger & Haydn" - Berlin Philharmonic Orchestra (1939) & German Philharmonic Orchestra of Prague (1942)


Жанр: Classical
Годы записи граммпластинок: 1939, 1942
Производитель граммпластинок: Capitol/Telefunken 45 rpm
Аудио кодек: FLAC
Тип рипа: tracks
Битрейт аудио: lossless
Продолжительность: 47' 57''

Найдено в сети.
Источник: Neal's Historical Classical Recorgings Corner
Формат записи (Bit/kHz): 16/44,1
Формат раздачи (Bit/kHz): 16/44,1

Шикарные (!!!) оцифровки
с граммпластинок (78s)

Спектры и АЧХ прилагаю (для треков 04 и 08)
Другими данными не обладаю: источник их не даёт.
..................................................................

Любителям исторического.
Одна дата чего стоит: Reger - Four Tone Poems after Arnold Böcklin, Op. 128
German Philharmonic Orchestra of Prague & Joseph Keilberth
Recorded December 20 & 21, 1942, Prague
....................................................................
В раздачу включил несколько репродукций Арнольда Бёклина.

"Capitol/Telefunken 45 rpm sets. Keilberth & Schmidt-Isserstedt in works by Reger & Haydn" - Berlin Philharmonic Orchestra (1939) & German Philharmonic Orchestra of Prague (1942)

Tracklist:


Haydn: Symphony No. 94 in G Major, "Surprise"
01 Haydn - Symphony No. 94 in G, 1. Adagio. Vivace assai
02 Haydn - Symphony No. 94 in G, 2. Andante
03 Haydn - Symphony No. 94 in G, 3. Menuetto. Allegro molto
04 Haydn - Symphony No. 94 in G, 4. Finale. Allegro molto

Hans Schmidt-Isserstedt, Conductor
Berlin Philharmonic Orchestra
Telefunken E 2864/66
Capitol/Telefunken 45 rpm set KCM 8021
Recorded February 9, 1939, Berlin (Singakademie)


Reger: Four Tone Poems after Arnold Böcklin, Op. 128
05 Reger - Bocklin Suite, 1. The fiddling hermit (Der geigende Eremit)
06 Reger - Bocklin Suite, 2. Sport of the waves (Im Spiel der Wellen)
07 Reger - Bocklin Suite, 3. Isle of the dead (Die Toteninsel)
08 Reger - Bocklin Suite, 4. Bacchanal

Joseph Keilberth, Conductor
German Philharmonic Orchestra of Prague
Telefunken SK 3464/66.
Capitol/Telefunken 45 rpm set KCM 8011
Recorded December 20 & 21, 1942, Prague

Total Time: 47' 57''

AUDIOCHECKER v2.0 beta (build 457) - by Dester - [email protected]
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Started at: суббота, 26. 09. 2009. - 22:58.24
8 files found

1 -===- C:\Downloads\Capitol Telefunken 45s master\01 Haydn Symphony No. 94 in G, 1. Adagio. Vivace assai.flac
Extracted successfully
Conclusion: this track is CDDA with probability 100%
Tempfile successfully deleted.

2 -===- C:\Downloads\Capitol Telefunken 45s master\02 2. Andante.flac
Extracted successfully
Conclusion: this track is CDDA with probability 100%
Tempfile successfully deleted.

3 -===- C:\Downloads\Capitol Telefunken 45s master\03 3. Menuetto. Allegro molto.flac
Extracted successfully
Conclusion: this track is CDDA with probability 99%
Tempfile successfully deleted.

4 -===- C:\Downloads\Capitol Telefunken 45s master\04 4. Finale. Allegro molto.flac
Extracted successfully
Conclusion: this track is CDDA with probability 100%
Tempfile successfully deleted.

5 -===- C:\Downloads\Capitol Telefunken 45s master\05 Reger Bocklin Suite, 1. The fiddling hermit (Der geigende Eremit).flac
Extracted successfully
Conclusion: this track is CDDA with probability 100%
Tempfile successfully deleted.

6 -===- C:\Downloads\Capitol Telefunken 45s master\06 2. Sport of the waves (Im Spiel der Wellen).flac
Extracted successfully
Conclusion: this track is CDDA with probability 100%
Tempfile successfully deleted.

7 -===- C:\Downloads\Capitol Telefunken 45s master\07 3. Isle of the dead (Die Toteninsel).flac
Extracted successfully
Conclusion: this track is CDDA with probability 100%
Tempfile successfully deleted.

8 -===- C:\Downloads\Capitol Telefunken 45s master\08 4. Bacchanal.flac
Extracted successfully
Conclusion: this track is CDDA with probability 100%
Tempfile successfully deleted.

Finished at: суббота, 26. 09. 2009. - 23:05.55 (operation time: 0:07.30)

I didn't have room for this Reger work in my previous post devoted to his works, but here is Keilberth's beautiful recording of the Böcklin Suite, which to my ears makes the best case for this score on records, superior to the later Schmidt-Isserstedt (on Acanta) and Bongartz versions that I have heard. When this late work appeared (in 1913), many were surprised that Reger had written a programmatic work, since he had been quite vocal in his dismissal of the tone poems of Richard Strauss, preferring the realm of "absolute" music. In any case, I find it to be an evocative work which, a bit surprisingly, has brevity as a virtue as well. One of the paintings by Arnold Böcklin depicted in this suite, The Isle of the Dead, is the same work which Rachmaninoff based his much more widely known symphonic poem on.
These recordings were issued on 78 rpm by Telefunken, and later on Lp in their Capitol/Telefunken series, but I have used the 45 rpm issues for my transfers. The brief trend in the late 40s and early 50s, to issue classical music on 7" discs, corresponding to 78 rpm side lengths, did not catch on, but Capitol and RCA Victor issued quite a few titles in this format. RCA also briefly tried sides with somewhat extended running times, but the format war was decisively won by the long playing disc, at least in the classical realm. Despite some inconsistencies and shortcomings in Capitol's transfer process to these 45s, I feel they are superior to their Lp issues. Sonically, the original Telefunken 78s are better in many respects, but they are often VERY noisy, and since most of their masters were lost in a flood, it's nice to have these versions, which are probably dubbed from those now lost original masters. There is some unevenness to the sound, and it's very difficult to compensate for off center pressings on these discs, but I think the results are more than acceptable.
I mentioned Hans Schmidt-Isserstedt above, regarding his version of the Reger Suite, but this Haydn recording is from much earlier in his career, and is a very vital, colorful reading, beautifully played by the BPO. The Menuet, as often for the time, is hardly the indicated "Allegro molto", but the enthusiasm makes up for the heaviness. Sharp ears may catch at least one instance of the score being retouched, with an octave doubling being added to the violin part.

(из сети)