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lynda.com | Photoshop CS5 One-on-One: Advanced [2010] [EN] PCRec

Автор (режиссер): lynda.com
Название: Photoshop CS5 One-on-One: Advanced
Год выпуска: 2010
Жанр: Photoshop
Язык: EN
Качество видео: PCRec
Продолжительность: 26:17:00
Видеокодек: Advanced Video Codec (AVC)
Битрейт видео: ~36,9 - 1740 кбит/с
Размер кадра: 960 x 540
Аудиокодек: Advanced Audio Codec (AAC)
Битрейт аудио: 96,0 Кбит/сек 2 канала 48,0 КГц

Описание:
Photoshop CS5 One-on-One: Advanced это вторая часть популярной полной серии, обновленной до CS5, представленная всемирно известным Photoshop гуру Deke McClelland. Он исследует такие чудеса цифрового века, как Levels и Curves команды, фильтры определения края, продвинутые техники композитинга, векторный текст, фильтр Liquify и Camera Raw. Deke также обучает испытанным методикам для придания резкости деталям, сглаживания морщин и неровностей и улучшения цвета без повреждения исходного изображения.
Бесплатные файлы упражнений прилагаются к курсу.
Рекомендуется предварительно изучить курс Photoshop CS5 One-on-One: Fundamentals.

Introduction

Welcome 2:01

Making Photoshop your default image editor 7:43

Installing the dekeKeys keyboard shortcuts 8:10

Remapping OS shortcuts 7:37

Installing the Best Workflow color settings 4:31

The color settings explained 6:54

Loading the CS5 color settings in Bridge 3:06

13. What Photoshop Can Do, Pt. 2: The Eyes

What you can do with Photoshop 1:46

The mission-critical eyes 2:44

Copy Merged and Paste in Place 6:52

Sharpening details to match 4:34

Masking eyes 9:22

Working with clipping-mask layers 9:05

Shading with layer effects 8:10

Color and highlight effects 4:02

Refining layer masks 5:43

Fabricating the highlights in the pupils 7:33

Using a merged copy to sharpen 5:34

14. Levels and Curves

Highlights, shadows, and midtones 1:16

Introducing the Auto commands 7:23

Adjusting Cache Level settings 6:08

Reading a channel-by-channel histogram 6:21

How the Auto commands work 5:22

Auto Tone, Auto Contrast, and Auto Color 7:07

Blending the Auto results 4:04

Introducing the Levels command 6:15

Using Levels as an adjustment layer 3:12

Applying custom Levels adjustments 6:08

Understanding the gamma value 7:39

The futility of Output Levels 2:56

Selections and adjustment layers 5:48

Opening up the shadows 3:40

Previewing clipped pixels 4:51

The black, white, and gray eyedroppers 5:07

Gray card tips and tricks 6:05

Making channel-by-channel adjustments 7:29

Introducing the Curves command 7:44

Curves dialog box tricks 7:16

Curves adjustment layer tricks 5:45

Correcting an image with Curves 5:32

Filling in the highlights 5:42

Neutralizing casts and smoothing transitions 5:37

15. Sharpening Details

The art of enhancing edges 1:26

How sharpening works 6:02

The single-shot sharpeners 6:07

Introducing Unsharp Mask 6:19

Radius and Threshold 6:24

Sharpening colors vs. luminosity 5:56

Gauging the ideal settings 8:59

Unsharp Mask vs. Smart Sharpen 7:01

Using the Remove settings 9:30

The More Accurate checkbox 6:08

Saving your Smart Filter settings 5:31

The Advanced sharpening settings 7:52

Accounting for camera shake 6:18

Sharpening with the Emboss filter 6:43

Sharpening with High Pass 9:23

The new and improved Sharpen tool 6:22

16. Noise and Texture

Edge's evil twin: noise 1:12

Color vs. luminance noise 7:21

Reducing color noise 7:45

Reducing luminance noise 4:59

Relegating an effect to the shadows 6:27

Switching between layer and mask 6:59

The Dust & Scratches filter 4:56

Adjusting shadow saturation 5:52

Combining High Pass with Lens Blur 6:57

Masking a layer of Lens Blur 7:34

Painting away High Pass sharpening 8:22

Building up a noise pattern 6:40

Converting noise to texture 4:24

Bleeding colors into paper 6:16

Matching different noise levels 8:31

17. Shadows, Highlights, and Contours

We are the stuff of light 1:24

Applying automatic lens correction 5:53

Introducing Shadows/Highlights 3:44

Shadows/Highlights in depth 7:59

Creating a "bounce" with Gaussian Blur 4:43

Sharpening on top of blur 7:03

Sharpening the merged composition 6:16

Grouping and masking layers 5:40

Adjusting the density of a mask 7:14

Creating a Shadows/Highlights shortcut 5:47

Restoring detail with Shadows/Highlights 6:23

Changing the Shadows/Highlights defaults 6:21

Smoothing skin details with Gaussian Blur 3:56

Smoothing with High Pass 5:44

Lowering contrast with Gaussian Blur 7:04

Inverting a sharpening effect 7:05

18. Black & White and Colorize

Color becomes monochrome 1:31

Converting an image to grayscale 6:49

Extracting luminance information 7:37

Introducing the Channel Mixer 10:23

Aggressive channel mixing 9:42

Proofing CMYK colors 7:49

Color settings and intent 7:06

Practical Channel Mixer variations 4:30

Saving variations as layer comps 7:57

The default grayscale recipe 8:55

Creating a custom black-and-white mix 6:59

Shadows/Highlights in black and white 4:58

Introducing the Black & White command 5:55

Adjusting Black & White settings 9:39

Mixing a Black & White portrait 6:32

Black & White vs. Channel Mixer 9:21

Adding tint and color 8:00

Introducing the Gradient Map 7:10

Loading custom gradients 4:32

Editing gradient color stops 9:58

Colorizing with blend modes and Opacity 7:13

19. Color Range and Refine Edge

Two great commands working great together 1:18

Introducing the Color Range command 5:13

Setting key colors and Fuzziness 5:38

Predefined vs. sampled colors 3:57

The Localized Color Clusters option 5:41

Defining a selection with care 4:44

Introducing the Quick Mask mode 5:20

Testing edges with the Magic Wand 5:14

Hand-brushing a selection 5:39

Saving and loading an alpha channel 4:35

Converting a selection to a layer mask 2:46

Switching between an image and a layer mask 6:58

Protecting elements with a layer mask 8:05

Duplicating and editing a layer mask 7:34

Introducing the Refine Edge command 4:46

Accessing the various Refine Edge options 5:35

Refine Edge's preview options 6:21

The Adjust Edge values 4:11

Edge Detection and Smart Radius 6:05

Using the Refine Radius tool 8:08

Using the Decontaminate Colors option 7:30

Old-school masking adjustments 7:07

Four micro mask adjustments 8:33

20. Text and Shape Layers

Photoshop's vector exceptions 1:11

Making text in Photoshop 6:18

Creating and editing a text layer 0:00

Font and type style 7:35

Type size and color 7:52

Combining layer effects and type 10:57

Drawing a custom shape layer 8:34

Side bearing, kerning, and tracking 10:36

Point text vs. area text 8:26

Selecting and formatting a paragraph 5:19

Copying and pasting unformatted text 7:45

Creating text inside a custom path 6:26

Creating text along a path 8:13

Adjusting baseline shift 6:16

Drawing a fading arrowhead 7:29

Fading a shadow with a layer 5:32

Logo creation and Fill Opacity 7:44

Stretching a background element 6:09

Drawing with shape outlines 6:18

Combining vector-based shapes 6:42

Masking vector-based shape layers 6:07

Correcting spacing problems 7:44

Drawing the ultimate specular sparkle 8:45

Preparing text for commercial output 5:09

Saving a high-resolution PDF file 7:11

Inspecting the final PDF document 7:08

Saving large poster art 9:32

21. Layer Effects and Styles

What filters ought to be 1:25

Layer effects vs. filters 6:14

Carving with an Inner Shadow effect 7:45

Selling an effect with Drop Shadow 7:17

Creating blurry shadow type 5:30

Saving custom default settings 6:22

Creating a custom contour 7:03

Introducing Bevel and Emboss 7:35

Adjusting Angle and Altitude 7:08

Exploiting global light 8:11

Gloss and edge contour 5:08

Applying and creating layer styles 6:45

Loading, saving, and merging styles 6:17

Creating a textured bevel effect 6:56

Using shadows as highlights 7:39

Combining filters and effects 6:58

Working with random effects 6:55

Smoothing with Gaussian Blur and Levels 6:13

Masking blacks from whites 4:37

Applying liquid styles 4:36

Simulating liquid reflections 8:12

Finessing and cropping a liquid effect 7:25

Initiating a displacement map 6:17

Applying a displacement map 7:37

22. Transform, Distort, and Warp

Two words: Free Transform 0:34

Scale, rotate, and constrain 6:30

Using the transformation origin 7:42

Applying a slant (aka skew) 3:37

The four-point "perspective" distortion 7:51

Two ways to make gradient text 5:59

Building complexity from a simple shape 4:42

Duplicating a series of transformations 6:03

Rasterizing a layer with its effects 6:41

Applying a custom warp 7:24

Blending and softening a warped layer 4:39

Creating spherical highlights 6:30

Using a center-source inner glow 3:51

23. Puppet Warp and Liquify

Distorting reality 1:33

Extracting a foreground element 6:45

Introducing the Puppet Warp command 7:20

Setting and manipulating pins 7:48

Rotating pins and switching warp modes 6:41

Expanding and contracting the mesh 6:11

Changing the Density setting 8:00

Adjusting the pin depth 5:18

Winding an image into a pretzel 6:02

Applying Puppet Warp to type 6:30

Warping single characters 6:25

Editing puppet-warped text 8:24

Extending an image with Free Transform 8:46

Extracting from a white background 10:05

Tracing a shape with Puppet Warp 9:01

Introducing the Liquify command 5:04

Warp, Twirl, Pucker, and Bloat 8:53

Saving and loading a mesh 5:59

Push, Mirror, and Turbulence 11:49

Lifting and slimming details 8:22

Warping fabric, arms, and legs 7:01

Masking and finessing the results 10:08

24. Adobe Camera Raw

Welcome to the digital darkroom 1:44

Introducing Camera Raw 7:40

Adjusting white balance 7:00

Selecting and synchronizing images 6:09

Making automatic adjustments and saving changes 7:19

Creating and managing snapshots 8:23

Adjusting the Exposure value 6:24

Working with clipping warnings 5:05

Adjusting Brightness and Contrast 7:35

Vibrance, Saturation, and Clarity 9:25

Recovery and Fill Light 6:57

Using the Graduated Filter tool 7:02

Painting edits with the Adjustment Brush 9:44

Straighten, crop, and geometric distortions 7:49

Applying manual lens corrections 7:19

Vignette and chromatic aberrations 6:21

Introducing the Tone Curves 6:09

Parametric curves and targeted adjustments 6:26

Correcting a low-noise photograph 7:35

Sharpening and high-noise photos 8:25

Selective Hue/Saturation adjustments 5:34

Selective Luminance adjustments 5:39

Adding grain and vignetting effects 5:23

Mixing a subjective black-and-white image 7:53

Colorizing with the Split Toning options 4:29

Opening a raw image as a Smart Object 5:39

Camera Raw wrap-up 8:38

Conclusion

Until next time 0:55

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